Walking the Camino: A Healing Journey

Several years ago, I coached a client through a few drafts of a memoir. About twenty years earlier, he and his wife, always up for travel and adventure, had tried long-distance hiking. It had been disastrous: they’d done no training, they were wearing new ill-fitting boots, and their six-year-old son was with them. They abandoned their hike about halfway through. 

Book cover of 'Walking the Camino: On Earth as It Is' by Maryanna Gabriel, featuring a path leading into the horizon with silhouettes of hikers.

A few years later, both approaching milestone birthdays, they were mulling over how to celebrate and decided to give hiking another try, this time doing lots of research and physical training, and leaving their children with family. It went so well and was so fulfilling that they made it an annual tradition. 

At first, they did a few hikes in England, a hiking-friendly country. Then they decided to tackle something bigger: El Camino de Santiago, a trail for religious pilgrims that starts in the French Pyrenees and makes its way across northern Spain and Portugal to its terminus in Galicia, on the Atlantic Coast. Around 800 kilometres long, it takes thirty to forty days to complete; they broke it into three segments, which they completed over three years.

I’ve been intrigued with the idea of hiking the Camino ever since. So, Maryanna Gabriel’s (class of 2022) book, Walking the Camino: On Earth as It Is (Pottersfield Press, 2023) immediately leapt out at me. A bit adrift after the unexpected death of her mother, Gabriel was seeking a way to deal with her grief and reconnect with her inner self. She attended a talk about walking the Camino, where a stranger with whom she exchanged a few brief words leaned in and said, “Walk the Camino. You’ll know why.” 

Her travel memoir, Walking the Camino, is exactly what the title promises: a chronicle of Gabriel’s experience, from that moment at the talk, through months of preparation, and from the beginning of the famed spiritual route in the Pyrenees Mountains to its end at the Atlantic Ocean. Just a few days into the hike, she writes about a moment when she’s resting with some fellow travellers, talking about the ineffable quality of the Camino.

I lifted my head at a pause. Something unusual was happening. I was trying to understand a rushing sensation from a great depth. I examined Bjørn intently.

“May I have your permission to pray,” he asked. His blue eyes twinkled.

It was getting late, customers had departed, and the owner had disappeared. We were alone. Kris and I glanced at each other and nodded.

Intonations of sound emerged. Rumbles that seemed ancient and long forgotten. Vowels tumbled, then halted, and gathered momentum. Bjørn tossed back his head and boomed in a crescendo of resounding benediction, a cascading river that encircled us then rolled upwards into the starlight. The sound was unlike any language I had ever heard, Latin but not Latin, Hebrew but not Hebrew, Spanish but not Spanish, but seemed to contain elements of these languages. The effect was musical and the intent benevolent. It uplifted the heart and I was filled with the wonder of it. Of babies, and cinnamon toast, dragonflies on mountain lakes, of angels blowing their horns, of kisses and custard and roses, a flower dappled in sunlight and pollen and dewdrops, the laughter of children, a first candy cane, of cookies and fire crackle, the crunch of snow, the crinkle of presents, of soft knitted socks, and the snuggle of Sunday mornings. A profound peace coursed through me, as though I had been enormously blessed. Was it from this world or beyond?

The reverberations slowly died away. Had Bjørn been speaking in tongues? I roused myself. I had to ask.

“Does this happen often?”

He mumbled and looked at me shyly from beneath shaggy brows. “Sometimes.”

Beautiful, visual, lyrical writing.

Anyone I’ve spoken to who’s done the Camino comes back with similar stories of wonder and awe and peace. The writer I spoke of earlier was at a complete loss to express his feelings as he and his wife drew close to and finally reached the end point, the finish line they’d been striving toward for three years. 

I don’t know if I’ll ever walk the Camino. It seems huge, daunting. But if the kind of experience Gabriel and my writing client describe awaits along the route or at the end, maybe, just maybe, I should do it. 

Walking the Camino: On Earth As It Is was the 2022 winner of the Pottersfield Prize for Creative Nonfiction. Other winners of this award from among the graduates of the MFA program include:

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Leslie Buxton

The Tides of Time: A Nova Scotia Book of Seasons, by Suzanne Stewart

The Illogical Adventure: A Memoir of Love and Fate, by Andrew MacDuff and Mirriam Mweemba. Review coming soon.

Other books of inner exploration through travel:

How to Clean a Fish: and Other Adventures in Portugal, by Esmeralda Cabral

Louisburg or Bust: A Surfer’s Wild Ride Down Nova Scotia’s Drowned Coast, by RC Scott

SwissAir Flight 111: A Tragic Tale Told with Skill and Compassion

Full disclosure: Gina Leola Woolsey, author of Fifteen Thousand Pieces: A Medical Examiner’s Journey Through Disaster (Guernica, 2023) was a member of my cohort (class of 2015). That’s how I know that, before signing up for the MFA program in Creative Nonfiction Writing, she had already completed a Bachelor of Fine Arts in creative writing at UBC

Gina’s extensive skill and training show in every word. From page 1, I’m hooked. It’s a rainy Wednesday evening—September 2, 1998—when the phone on Dr. John Butt’s bedside table rings. Swissair Flight 111 has gone down, killing all 229 souls aboard. Butt, Nova Scotia’s Chief Medical Examiner, takes a moment to absorb the news.

“The information doesn’t go straight to the action center in his brain,” Gina writes. “His plausibility muscle bats away the news so his mind has a minute to rev the mental engines.” In a classic example of writing so well the reader forgets they’re reading, her use of metaphor is so smooth that, after forty years as a writer and editor, I barely notice it. And when I do, I’m impressed.

Within the first chapter, she’s laid down an immense amount of exposition without ever slipping into information dumping. In a scant seven pages, she introduces nine characters, including just enough about each to make them memorable. Throughout the book, she most often refers to the multitude of people she interviewed by their first names, no doubt a deliberate choice to create intimacy in a story that might more easily be kept at arm’s length. 

She uses verb tense to set mood: present tense when she writes about the disaster, conveying anguished immediacy, switching to past tense to for her present-day relationship with Butt. When done without thought, tense-switching can be jarring; I’ve critiqued dozens of editing clients for doing it unconsciously. In Gina’s hands, it’s as smooth as glass. 

Focusing on Gina’s facility with the small choices a writer makes is not intended to minimize the skill with which she tackles larger issues. I remember her talking in class about a unique problem this story presented. Invited by the central character to write this book, he requested that it tell not only about the disaster that ended the lives of 229 people, forever changing life for countless bereaved friends and family and leaving an indelible imprint on everyone involved in recovering and identifying 15,000 bits of bodies instantly torn apart on impact with the cold, dark Atlantic. He also wanted to share his own story, that of a sensitive but difficult man, raised in an oppressive environment, who repeatedly alienated friends, family, and colleagues until coming to terms, late in life, with his homosexuality. 

I recall wondering how she’d reconciled these two stories as I began reading. But I quickly forgot about it as I devoured the book, barely noticing the two disparate stories unfolding.

To say Gina’s writing is seamless, visually rich, alive with detail doesn’t do it justice. I wish I could find one passage, short enough to include in a blog post, that would show everything that impresses me about it. The following is just a taste:

A Sea King helicopter transports John from the morgue-in-construction at Shearwater to the Preserver. Above the scene of destruction, he gets the first glimpse of debris. Small boats dot the surface with larger boats stationed at the edges of the scene. The entire area, a portion of the sea that many fishermen call their workplace, is closed to all but those working on the recovery operation. 

The ship’s doctor shows John to the bridge where Commander Town is waiting. During the night, it was Commander Town who managed the fishermen, military personnel, and other helpers on the water. Rick Town was the beacon in the dark. After a night receiving one horror after another from the small vessels on the scene, Town might need a guiding light of his own. From the Preserver’s bridge, John gets a closer look at the water. To the untrained eye, it’s a largely unidentifiable mass of scattered debris, but John sees the human remains for what they are. Floating viscera mingles with hunks of caramel-coloured foam from the seat cushions, clothing, teddy bears, and luggage. Now he understands why they don’t know how to deal with the situation. It’s not as easy as putting bodies in bags and counting them off in whole numbers. 

In lesser hands, this could have been an impossible story to tell. Instead, it’s a deeply personal, profoundly compassionate, extensively researched, and intimately told tale of one of the worst air disasters in Canadian history, and the enigmatic man who had the grizzly task of sifting through the eponymous 15,000 pieces of humanity. I can’t recommend this book highly enough.

For more on disaster, read my reviews of: 

Chasing Smoke: A Wildfire Memoirby Aaron Williams.

On Borrowed Time: North America’s Next Big Quake, by Gregor Craigie.

For more Canadian history, read my reviews of:

Acadian Driftwood: One Family and the Great Expulsion, by Tyler LeBlanc.

Cod Collapse: The Rise and Fall of Newfoundland’s Saltwater Cowboys, by Jenn Thornhill Verma.

Craigdarroch Castle in 21 Treasuresby Moira Dann.

Highway of Tears: A True Story of Racism, Indifference and the Pursuit of Justic for Missing and Murdered Indigenous Women and Girls, by Jessica McDiarmid.

Murder on the Inside: The True Story of the Deadly Riot at Kingston Penitentiaryby Catherine Fogarty.

From Starvation to Abundance: A Memoir of Family and Resilience

I can’t imagine it. I’ve tried, but it’s beyond my ability. The closest I can come to imagining what it must have been like to survive the Holocaust and, against all odds, marry, have children, and live a happy life is knowing what it was like to be the child of an RCAF pilot who spent three months injured in a POW hospital in occupied France. 

I suppose it’s understandable that people can’t imagine living through such trauma themselves. It protects us. But when you’re the child of people who survived that horror, when the knowledge of what one or both of your parents experienced forms the backdrop for your entire life, lived in comfort and safety in one of the richest countries in the world—that’s a different story.

Marsha Lederman, author of the bestselling Kiss the Red Stairs: The Holocaust, Once Removed (McLelland &Stewart, 2022), which I devoured last year, was one of those children. Bonny Reichert (class of 2022, Master of Fine Arts in Creative Nonfiction, University of King’s College) was another.

For most of her life, Richert coped with the knowledge of what had happened to her father by not thinking about it. I don’t blame her. She and her father talked about one day writing a book together about it, but for one reason and another that day never came. Until one day, after a trip to her father’s native Poland and an encounter with the perfect bowl of borscht, Reichert realized the time had come. 

The result of that realization is How to Share an Egg: A True Story of Hunger, Love, and Plenty (Appetite by Random House, 2025). A memoir with strong culinary overtones, How to Share an Egg shares with the reader that good food has played an important role in the author’s life, not only because, as the daughter of a successful restaurateur, she grew up with excellent cooking but because her father had very nearly starved to death. 

The preface to the book opens like this:

Imagine two boys—a couple of skeletons, really—roaming the German countryside. One is fourteen, the other, a little older. It’s the spring of 1945, and they haven’t eaten much besides potato peels and coffee grounds for three years. They knock on door after door until they find a farmer who goes into his kitchen and brings something back: a single brown egg. One egg for two starving boys. … 

The book you’re about to read is a tale of hunger and sorrow and love. It’s a mishmash of what happened to my dad and what’s happened to me; a portrait of a parent and a child, a father and a daughter. It’s both a small story and an enormous one, a study of contrasts. And because it’s my family, it’s a story about food—sumptuous meals and meals of almost nothing at all; food that is simple and complicated, basic and bountiful. Food that is rife with meaning.

How does a daughter reconcile her privilege when her father had nothing? How does she set her table, heavy with plenty, when her ancestors were lucky to share a single egg? As much about survival as sustenance, the story you’re about to read is about a family that lost everything and built itself up again, one meal at a time. 

I sometimes worry that recent generations simply don’t know enough about the Holocaust. I worry about the way this lack of knowledge has been fuelling a global resurgence in antisemitism. I’m heartened by the appearance of books by the children of survivors, like Reichert. If there was ever a book to teach about that shameful period in human history while making you go from laughing to crying and back again, this is surely it. 

Books about the Holocaust:

Wanda’s War: An Untold Story of Nazi Europe, Forced Labour, and a Canadian Immigration Scandal, by Marsha Faubert. Review coming soon.

One in Six Million: The Baby by the Roadside and the Man Who Retraced a Holocaust Survivor’s Lost Identity, by Amy Fish. Review coming soon.

For Daffodil Month, a Journey Through Cancer in ‘Still, I Cannot Save You’

As the daffodils come into bloom this year, I am reminded that April is Daffodil Month, the Canadian Cancer Society’s awareness and fundraising month for cancer. And then I can’t help thinking of the heart-wrenching memoir I recently finished reading, Still, I Cannot Save You: A Memoir of Sisterhood, Love, and Letting Go (McLelland and Stewart, 2023) by Kelly S. Thompson.

The book opens as Thompson, an officer in the Canadian military, waits to meet her sister in a shopping mall. Christmas music plays in the background as Thompson wonders if, this time, her older sister Meghan will show up. Meghan, we learn, is an addict and as such unpredictable and unreliable. And she also survived cancer as a very young child. She’s also thin, and three inches shorter than her younger sister. Genetics or the impact of cancer and chemotherapy on the development of a three-year-old? Impossible to know. 

As the years move forward, Meghan sobers up, finds a man, has a child, and marries the baby’s father, an abusive alcoholic. Thompson is medically discharged from the military due to her own bout with cancer. She too marries, learns she can’t have children, lives with depression. 

Through it all, the sisterly closeness that eluded them through Meghan’s addiction slowly returns. Just when they are closer than they’ve ever been, and as Meghan welcomes another child, she’s diagnosed with cancer again, this time a large sarcoma that had been hidden behind the growing fetus.  

With all the tragedy and hardship this family faces – both parents have survived cancer and the girls’ mother is coping with MS – it’s amazing that Thompson is able to write with humour about what must have been one of the darkest chapters of her life. At one point, Thompson sets about dying her sister’s hair in an effort to help her feel attractive. After letting the dye do its work, they head into the bathroom to rinse it out. 

“Alright, let’s hose you down,” I said, gesturing to the bathroom. 

“How am I going to keep my pyjamas clean?” …

“Just go in there naked. I’m your sister, what do I care? I’ll be in my bra and underwear anyways. Don’t want to get soaked.” …

She gingerly stripped down to reveal a padded Depend, convenient after having a child. Her breasts were pendulous, filled with milk, nipples white with colostrum. I could not take my eyes off them. “Well at least your boobs look great.” 

She gave her chest a gentle shimmy. “Yeah, I’m a regular porn star.” We giggled at this as I helped her shuffle into the bathroom, shocked at how she was rail thin yet simultaneously puffy. She sat on the supportive bathing chair and then leaned forward as I set to work with the extendable shower head, releasing a stream of inky brown from the tendrils that dangled over her face. That is, until I dropped the shower handle, cracking off the cover and sending water everywhere in a zealous spray, cascading blotches of dye across the walls, Meghan, and the bathroom. The incontinence brief hung limp with liquid and mascara ran down my face, pooling within the brown sludge at our feet. 

“There’s a porn movie in this somewhere,” Meghan said, laughing so hard she was gasping and clutching at her misshapen stomach. 

“What’s with you and porn today? Besides, I don’t think anyone in porn is wearing a diaper.” I was laughing too hard to control the shower handle … 

“Oh, you’d be surprised,” she said. And then we laughed even harder. 

I devoured this book in a couple of days. You should too, but make sure you have a box of tissues at hand.

Edited to add: I belatedly learned that Kelly S. Thompson is not an alumnus of the MFA program but a mentor! Oh well, I’d always figured once I was running out of books by grads I’d start reviewing books my mentors and directors—there are plenty of those too. Now if the grads would just take a pause from being so prolific …

Other books about family, for better and worse:

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Lesley Buxton.

How to Clean a Fish: And Other Adventures in Portugal, by Esmeralda Cabral.

Run, Hide, Repeat: A Memoir of a Fugitive Childhood, by Pauline Dakin.

The View from Coffin Ridge: A Childhood Exhumed, by Gwen Lamont.

The Scientist and the Psychic: A Son’s Exploration of His Mother’s Gift, by Christian Smith.

The Minister’s Wife: A Memoir of Faith, Doubt, Friendship, Loneliness, Forgiveness, and More …, by Karen Stiller.

Peace by Chocolate: The Hadhad Family’s Remarkable Journey from Syria to Canada, by Jon Tattrie.

The Heart of Homestay: Creating Meaningful Connections While Hosting International Students, by Jennifer Robin Wilson.

The Space Between 

I wrote this piece for my initial assignment in the MFA program at University of King’s College. I offer it in honour of Remembrance Day and of my father, Dick Melcombe, who died more than 50 years ago. I still think of you every day, Dad.

Edited to add: Someone, somewhere commented on the lifetime of grief I’ve lived with after losing my dad so young. Truer words. Not a Remembrance Day goes by that I don’t give in to my tears and allow myself the luxury of sobbing for a while.

A picture hangs in my living room, a sort of collage, but more organized, befitting its contents. It includes my father’s Royal Canadian Air Force wings and stripes from World War II, a green-and-gold RCAF emblem he embroidered while in traction for months in a veterans’ hospital, and two black-and-white photos, rimmed in gold. The pieces are carefully arranged against dark-blue cloth, framed in gun-metal grey with dignified flecks of gold. The photo on the left, taken before my father shipped out to England in 1942, depicts a handsome, athletic, optimistic, young man in his NCO uniform. To the right are his wings and stripes, a few threads out of place. From the photo on the right, the face I remember smiles out at me in his Pilot Officer uniform at the time of his medical discharge in 1945, still a handsome man.

In the first, he’s twenty-one. In the second, he looks much more than three years older.

There is more than my fathers’ wings and stripes in the space between those photos. There’s a story I only thought I knew until years after he died. By that time, decades had passed since a spring day when I’d shouted angry words at him, words I don’t quite remember, but will never really forget. By the time I understood how wrong they were, it was too late for anything but regret.

I wasn’t the first in my family to lose a father too soon. My father’s father died three years into the Great Depression. At eleven, he became sole support for his demanding mother and five-year-old brother. At sixteen, when he grew too old to continue working as an errand boy after school, he took a full-time job as a clerk at the Hudson’s Bay Company and finished high school through evening classes.

He signed up for the reserves in 1940, a few months after his nineteenth birthday; my mother once told me that, more than anything else, he wanted to get away from his mother and train for a career as an airline pilot. He was called up in 1941, spent a year in flight training, shipped out in 1942, and spent another year in combat training before being assigned a crew and active duty.

I learned much of this from his service records, which I requested from the Library and Archives of Canada in March 2011. My nephew had been studying World War II in school and had expressed an interest. In the meantime, like a lot of aging children of World War II veterans, I’d begun to see that not everything is as clear as I once thought it was—that not all wars are the same any more than all peace is the same. I’d begun looking at my adult son and seeing my father at the same age, hearing stories of Afghan veterans struggling to return to a normal life, and wondering how my father had appeared to cope so well. So I requested his records, hoping to fill in some blanks, unprepared for the large, brown envelope that arrived a few months later.

A few days after it arrived, I sat in my sunny yellow kitchen with my older sister reading through his application papers, and the reports at various stages of his flight training. The comments from his training officers read like dialogue out of an old war flick; I can picture the officers in their high-waisted pants, sitting at desks in barracks offices, smoking pipes while tapping away with two fingers at manual typewriters. “A good sort of lad,” wrote one. “Never flown at all but very keen to be a Pilot . . . should turn out all right.” “His day duel was done in cross-wind conditions but immediately the weather cleared, he improved rapidly,” another wrote. “Captaincy on cross-country flying was good. Accomplished one nickel [an aerobatic loop] successfully.” A third said simply, “Appears to be of the slow steady type, reliable.”

Reliable. That was my dad. Reliable.

Twenty-five years after the war, in the summer of 1970, I was thirteen. My biggest aspiration for the future was to be a hippie, and my main occupation in the present was to hate my father. I had no reason; it just seemed like the thing to do at the time. I knew he’d been in combat, though that was nothing to brag about then, with anti-Vietnam war sentiment at its height. He never talked about the war, anyway. He liked the movie, The Great Escape, a fictionalized version of a real-life escape attempt as told by Paul Brickhill in his eponymous book. He laughed uproariously at the TV series, Hogan’s Heroes, a sitcom set in a Nazi POW camp. He once said to my sister, after they’d watched The Longest Day, “So that’s what it was like below the cloud cover on D-Day,” the day the Allied Forces invaded Normandy, which ultimately marked the turning point in the war. One day when I was fifteen and had grown out of hating him, my parents and I were leaving for the airport, where they were seeing me off on my school’s spring break trip to Paris and London, a far cry from the kind of European trip he’d experienced. We were running late, and my dad was scrupulously punctual, so I was surprised when he stopped, grabbed a scrap of paper, and scrawled in his barely legible handwriting, “Millie Walters, 33 Hawkesbury Way, West Wickham, Kent.”

“What’s this?” I asked.

“My Aunt Millie,” he said.

“You have an Aunt Millie?” I asked, “In England?”

“Yes. I used to visit her when I was on leave. Give her a call. Tell her your Dick’s daughter.”

That was it. That was all I ever heard him say about the three years between those two photos.

In June 1987, fifteen years after my father’s death, I received a letter and short story from a man I’d never heard of: Frank Devine, a member of my father’s crew. With two babies in and out of the hospital and an aging, ailing mother, I never got around to replying—another regret. But I kept the letter; it provided reference points when I requested my father’s records. In it, Frank described himself as “the Mad Irishman Wop/A.G. jammed between three Cannucks and three Britts.” I hadn’t even known my father’s crew weren’t all Canadian. Frank and my dad had met in October 1943, Frank wrote, and flown together until six days after D-Day. “We taught [your Dad] to ride a bike at Pershore 23 Operational Training Unit, where the first five of us came together and flew in Wellingtons, Dick Melcombe (Titch) Pilot, Jack WestNavigator, St Pierre Bomb Aimer, Fred Bailey (Bill) Rear Gunner.”

Titch. My father had had a nickname. Titch.

At Pershore, Frank wrote, they picked up three new crew members: Jim Clement, Alf Deakin, and Harry Braithwaite. Even the names sound like characters from a 1940s war flick. They volunteered for the Pathfinders, a hand-picked corps of airmen with unparalleled navigational skills. The Pathfinders did precision target-marking, using coloured flares to ensure bombers hit targets accurately, which minimized civilian losses, and later dropping supplies to the Dutch. My father and his crew had volunteered for the 405, the lone Pathfinders unit in the RCAF, but it didn’t become operational until June 12, 1944—about six hours too late for my father’s crew, as it turned out.

In the meantime, they flew with the Ghost Squadron. It’s odd Frank didn’t mention it. I remembered my mother talking about it when I was a child, but as an adult I thought the name comical, and wondered if it might have been an imagined memory. But there it was with his records, on photocopied pages from a military history book. One of the most elite flying units in World War II Europe, the Ghost Squadron had earned its name both by flying night-only missions and by its reputation “for raining death and destruction down on the enemy”; its patch was a skull and crossbones. That gave me pause. It didn’t fit with the father I’d known, a man who’d hardly raised his voice except when watching Hockey Night in Canada. Crews had never served long with the squadron, my mother had said; it was too hard on them psychologically.

Maybe that was why Frank left it out.

In April 1944, after six months with the Ghost Squadron, while waiting for the Pathfinders 405 to take off, my father’s crew switched from Wellingtons to Lancasters. Considered “the pilot’s aircraft,” they were enormous, capable of carrying nearly their own weight again. These were the planes that dropped supplies to starving Dutch civilians in the last year of the war and later ferried 74,000 freed POWs back to England in just 24 days. That’s probably how my father made it back across the Channel. But Lancs were not built for comfort, or defense. Turrets for the gunners and bomb aimers were so small some

crew members had to put their flight boots inside and climb in before putting them on. At 20,000 feet, the temperature could drop so low that airmen returned to base with frostbite. And because they flew almost entirely at night, they had little armour.

Lancaster Bomber, considered a “pilot’s aircraft”
because it was nothing but essentials.
Photo: Cpl Phil Major ABIPP/MOD, OGL v1.0OGL v1.0,
via Wikimedia Commons.

Only the best pilots flew Lancasters. Only the most skilled crews became Pathfinders.

On a June day in 2011, I sat in my kitchen with my sister, flipping through pages from the big brown envelope, the morning sun flooding in. I’d made it past the mostly glowing comments from my father’s superiors to the actual service records, which were dark and hard to read, cramped writing in tiny lines detailing every post he’d ever been assigned and every mission he’d ever flown. I found my mind wandering from the bright day outside to a runway in England at night, imagining our dad in the cockpit of his Lanc.

No, that’s wrong: I was imagining my son. Though he’s now older than the man in the “before” photo, and taller, my son looks remarkably like his grandfather. He’s slight and fair-skinned and carries himself with self-assurance. I can see him sitting in the pilot’s chair, on an airfield lit by only a few runway lights. He’s checking gauges and chatting good-naturedly with his crew to put them at ease while internally focusing on the mission ahead. My father was a small man piloting a mammoth machine, a quiet, sensitive boy who’d been responsible for others for most of his life. He’d seen death as a child, having been in the car when his father was killed. He’d learned never to appear weak, especially to his mother. He’d grown up in a paradox, supporting his brother and mother, yet always under his mother’s thumb. At just twenty-two, he’d become responsible for the lives of the six young men under his command, and the deaths of countless others.

He was probably aware of that paradox, too. Later in life, he would tape messages to the dashboard of his car, reminding himself to have “Strength” and “Confidence” as he readied for the day ahead during his morning commute, donning a mask few people ever saw behind. His crew would never have seen. They would have seen nothing but a commander who took charge and took care of them. Even when they went drinking, Frank wrote, “his limit was two small beers, whilst the rest of us got sloshed, he always looked after us and we all admired him for resisting our devious efforts to get him Tipsy. You must realise that Bomber crews were as close knit as families, probably more so at times so you can appreciate how I feel about hearing that Dick has passed away.”

At thirteen, I didn’t know this. It wasn’t until forty years later that I applied for his records, and then sat at my kitchen table with my sister, comparing them against Frank’s letter, piecing together the time between those two photos and specifically the wee hours of June 12 1944. I knew about his life before the war, and had driven past his boyhood home in Vancouver’s varsity district. I knew how he’d met our mother after the war, a wounded veteran courting his nurse at Shaughnessy Hospital. But it wasn’t until years after his death, when my nephew asked about his grandfather and my son was considering enlisting to have medical school paid for, that the reality of the space between those two photos began to sink in.

They’d flown four missions in five days, Frank wrote, when they were shot down over German-occupied France. They hadn’t even had time to celebrate my dad’s promotion a few days earlier. On June 6 1944, they’d dropped bombs at Omaha, trying to give the troops who’d poured off the boats into hailstorms of bullets a chance to make it past the beach, over the dunes, into the forests. What my father hadn’t mentioned in that one-off comment to my sister was how difficult it must have been for all the Canadian flyers that day to realize it was cloud cover that had undermined their efforts. It wasn’t their fault they’d dropped their bombs too far behind the front lines, leaving many more bodies on the beach than anyone had imagined.

But it was war. The dead were dead. The living couldn’t bring them back. They could only move forward.

So on the morning of June 8, my father’s crew attacked German troops in the Fôret de Cerisy, and the following morning they hit Rennes airfield. On the night of June 11, they were called out at short notice to bomb a panzer division at Tours, where German forces had been called up from the south to reinforce the defences at Omaha beach, the codename for a beach in Normandy hit during the D-Day invasion. They were scheduled to drop their load at 00:45. I don’t know whether they did, because as Frank wrote, “We were hit at 00:45!”

Some sixty-five years later, feeling uneasy with the comforts of my kitchen and the sunshine-y day outside, I looked through page after page of statements by my dad’s crew, his superior officers, and even M. Maillet, the farmer in whose field he’d crashed, and I found myself unable to continue. The reports of his growing competence in training had been easy enough to read. Even Frank’s letter and his one-page account of the crash had not made the image of my father’s plane falling out of the night sky quite real to me. It had always been like something out of a movie—a black-and-white movie with officers smoking pipes and tapping on manual typewriters.

This was not a movie. This was survivor testimony. And my eyes were too full, my brain too overwhelmed, to read it. It was my sister, always more pragmatic than I, who grabbed a scrap of paper and began sifting through the pages, dissecting each man’s statement, extracting names and times, checking details against his service record, assembling the crew’s last moments together like pieces of a puzzle becoming a whole picture. I realized with some chagrin that, until then, that was all it had been to me. A fuzzy-edged picture I’d never gotten ‘round to focusing.

It was focused now.

They were between 1200 and 1500 feet when the first bullet hit. Braithwaite saw the fires in the inboard engines, dying down and growing again. 

The pilot’s training and experience kicked in: Adjust engine pitch. Shut off petrol. Press extinguisher button.

The fire in the starboard engine went out, but the one in the port engine grew, fast.

Deakin yelled, “Fire in the fuselage . . . and under the starboard wing.”

“What’s our height?” West shouted.

”Bale out!” the pilot answered.

Deakin led the way, headfirst out the rear door.

Clement went next, and West followed, out the front hatch.

Glancing out the rear, Braithwaite saw ground rushing toward him, stepped back, braced for impact.

He felt a bump as the plane hit the trees, then a slight rise: the pilot pulling the nose up? Then—blackness.

From hit to crash, it had been less than three minutes.

Braithwaite came to surrounded by flames.

Maillet had seen the explosion and raced toward it. As he neared, he saw a man run into the woods. No time to spare, Maillet hurried toward the plane.

Two airmen were unhurt in the burning wreck, but the pilot was badly wounded. Maillet beckoned to the airmen, who ran after him.

The pilot, head traumatized, leg pulverized, was still strapped into the burning cockpit, tracer from the ammunition belts flying around the fuselage like deadly fireworks.

By the time Maillet returned, the Germans had arrived. The pilot was gone.

The soldiers searched the farm but found no one. Maillet had hidden Baily and Braithwaite quickly, but well; they remained there undetected for the rest of the war.

I had known from the time I was quite young that my father had been a pilot in a war and had been in a big plane crash; that was why he limped, and why he wore those funny-looking shoes that he had to mail order from that special place. The story of the crash had been told over and over, in his absence, by those who hadn’t been there. It had grown to epic proportions.

Sitting in my kitchen with my sister, the real story hit.

Except for the year I’d decided to hate him, I had always imagined my father larger-than-life, the dad who never lost his cool or seemed afraid. I’d never considered what he might have been thinking as his aircraft took fire, as the flames grew, and the plane dove. I’d never heard his voice shouting the order to bale out, or felt the adrenaline pumping as he’d struggled to keep the plane aloft until he reached the trees at the edge of the farmer’s field, his only hope of surviving the crash. I’d never asked if he’d been conscious as he lay there in excruciating pain, immobilized by his injuries, wondering what would become of his crew now that he’d gotten them to the ground alive, now that all he could do was listen to the jeeps screaming toward him, the soldiers shouting in German, the young men whose comrades’ lives his own bombs may have taken dragging his wounded body from the cockpit. I’d never asked if he’d been unconscious after the plane crashed, unaware of what was happening until he’d been awoken by the screaming pain of the jeep hitting every bump in the road, or in the operating room before they put him out and set his leg so badly it would never be right again, or in a bed where French nurses took his pulse and German soldiers stood guard as he came slowly to realize that though he’d survived the crash, if he even remembered it, his life was now out of his hands.

There are no records of my father’s time as a POW. The next piece of paper in his file was a copy of the letter to his mother. “Dear Mrs. Melcombe: Before you receive this letter you will have had a telegram informing you that your son . . . is missing . . . [He] was very popular with this Squadron, and was an excellent Pilot. He is greatly missed . . . There is always the possibility that [he is] a prisoner of war . . .”

As I sat in my kitchen with my sister, the details sorted and my tears done, I read past the unlikely optimism in the last line and went back to the first few sentences: He was very popular. He was an excellent pilot. The past tense hit me like a slap, as it must have hit his mother. I thought of my own son, so much like his grandfather. I thought of him achieving his life’s dream of becoming a doctor and going off to Afghanistan to repay his debt, much as my father had become a pilot and then gone off to war.

A hole opened up in my heart.

Years earlier, to my adolescent mind, there had seemed to be no difference between an offensive war and a defensive one, between fighting a real threat and an imagined one. But as I grew older and learned more, I realized that though many leaders have tried many times in history to justify offensive wars by framing them as defensive, that was not the case in World War II. One can argue all day that Hitler, Stalin, and Mussolini were the product of previous wars and atrocities, but I can’t persuade myself that once any individual has gone that far and diplomacy has been exhausted, those living with imminent threats are wrong to defend themselves.

To my middle-aged mind, the sheer madness of World War II Europe has little in common with the irrational fear of “the red dog of communism” that fuelled the Cold War and gave rise to the wars in Korea and Vietnam. But in my thirteen-year-old brain, I saw only the images of naked children burned by napalm and innocent villagers killed at My Lai that streamed into our living rooms each evening, and I conflated them with my ideas about World War II. In my wannabe flower-child thinking, I believed all wars were crimes and my father was a war criminal. In the years after he died, I knew he understood I was just being a teenager, I knew he’d always loved me and I him, I knew he had forgiven me for my thoughtless words. But it wasn’t until that day in my kitchen decades later, poring through his service records with my sister, that I felt deep down in my bones how far off base my adolescent appraisal of him had been, how much my outburst must have hurt him, how powerless he must have felt to respond.

Most of my father’s crew—Deakin, West, Baily, and Braithwaite—survived what remained of the war, but I don’t know anything else about them. According to my father’s records, Clement, the second to bale out, had initially been hidden by the French, but later captured, probably interrogated, and then shot by the Gestapo. Devine, whom Maillet had seen running into the woods, had been captured and hit by “friendly” fire en route to interrogation, but had survived the war and emigrated to Van Nuys, California, from where he’d sent that letter.

The whole story reads like a script from a war movie. But it wasn’t a movie; it was my father’s life. It was what I didn’t know when I was thirteen and intent on hating him because it was hip at the time, and I wanted to be hip, to be a hippie, to fit in. I couldn’t see then that war, like life, is full of paradoxes. At thirteen, in the middle of an argument I remember nothing else about, I shot out some of the most ignorant words I’ve ever said. I don’t remember them exactly now, but I’ve never forgotten the tone, the intent, the spirit.

I was reminded of them recently when watching an episode of M*A*S*H, the 1970s sitcom set at a mobile army surgical hospital during the Korean War, a sitcom that reflected America’s growing intolerance for the continuing and senseless US presence in Vietnam. In the scene of M*A*S*H that I mimicked during that argument with my father, Hawkeye Pierce, the charming rogue and brilliant chief surgeon who’d been drafted into a war he wanted nothing to do with, was talking to a pilot. The pilot was clean, friendly, and almost completely unscathed by the violence and death all around him. As the story told it, a bomber pilot wouldn’t need to see a war up close and personal. This bomber pilot flew high above it all, dropped his bombs, and made it home every evening to where his Japanese wife awaited him with slippers and a hot meal. In the story, the pilot hadn’t thought much about the war, it was just his current job—until one day he found himself sitting outside an operating room watching Korean children being carried past on litters, crying out for mothers and fathers who had been injured or killed themselves. It was just the moment the maverick surgeon, Hawkeye Pierce, had needed to give the heartless pilot a piece of his mind about what was going on down on the ground every time he dropped his bombs. His monologue was admirable, I thought at the time, his tone righteous and moral and right. And so, on that day when I was thirteen, in the middle of an argument with my father, I called the scene up from my memory and gave my father a piece of my mind.

“Why should I listen to you?” I demanded. “You’re a murderer. Did you ever think about the people you were killing on the ground? The children? The babies? Or did you just drop your bombs and fly home to dinner? I don’t need to listen to you. You’re a murderer. You’re a hypocrite. You’re a baby killer.”

My father was not easily riled. I think he lost his temper twice when we were kids, both times with me, but this was neither of those times. This time, he simply stood in our front yard in his gardening clothes and a scuffed-up pair of the orthopedic shoes he’d worn every day since he’d made it out of traction and begun walking on crutches, and then on canes, and finally on his own. He’d been left with a pronounced limp, back pain, and a complete inability to regain the athletic prowess he’d enjoyed as the handsome, optimistic young man in the “before” photo, or even to fulfill his dream of becoming an airline pilot.

The day I shot him down was warm, but he wasn’t wearing shorts because he was embarrassed by the brown scar that ran the length of his calf. He never talked about it. He just covered it up, the same way he covered everything up. All “the boys” were told not to talk about things when they got home. As Frank wrote, “I thought then, probably very selfishly, [talking about it] is doing no good . . . I will forget about the whole thing which I tried to do, but it is impossible to forget and now I know I was wrong to try. There is so much which should have been done and still should be done, so as in future years people will appreciate truly what the men in Bomber command went through . . . I feel so guilty now.”

Guilty. Frank Devine was guilty of nothing. Nor was my father. My father did as he was told, as he’d been taught to do all his life, as a boy who’d become a man at eleven, a pilot who’d saved every member of his crew at the risk of his own life, and a veteran who’d been told to forget and move on. He never talked about the war, not even on that day when I was thirteen. On that day, after those words shot out of my mouth like tracer around a burning fuselage, my father just stood there, no expression on his face. I don’t recall who walked away first, but I never forget that I spoke such vile, callous, ignorant words. I’ve never in my life said any words to anyone that I’vewished more I could take back.

My father died of a sudden heart attack three years later. He was fifty-two. I was sixteen. I’d grown up a little, and our relationship had improved a lot, but I’d never gotten around to apologizing.

For years after his death, I held onto his war mementoes. Every year on November 11 I’d take them out and look at the pictures and run my fingers over the stripes and the RCAF emblem. I’d tell my children what I remembered of their grandfather and what little I knew of the night he was shot down, and I’d go to their Remembrance Day assemblies at school and cry a little.

A few years ago, not long after receiving his service records, my youngest daughter had an idea for a Christmas gift for me: something meaningful, something I’d never expect. On Christmas morning, we did the rounds, taking turns opening gifts and thanking givers. At one point, I think my daughter said, “I know it doesn’t seem like you’re getting much, Mommy, but there’s something big coming for you at the end.”

I might have muttered, “Oh, really? I hadn’t noticed.”

Eventually, the pile under the tree was depleted. My daughter said, “Mom, there’s one gift left, for you. You didn’t get a lot this year because this was really expensive. It’s from all of us, but it was my idea.”

“Okay,” I said, bemused.

She left the room, reappearing a moment later with a large, flat, heavy parcel loosely wrapped in brown paper. “I didn’t wrap it,” she said, laying it on my lap. “Be careful,” she said. “It’s fragile.”

So I opened it carefully, pulling back one flap of brown paper, and then the other. And when I saw it—the wings, the photos, the RCAF emblem—I stopped breathing. My face got hot. Tears flooded down my cheeks. A sound choked out of my throat. My vision blurred at first, and then my eyes squeezed tightly shut. From a distance, I heard my daughter ask, “Do you like it, Mommy?”

“Yes,” I said. “I like it.”

But what I wanted to say, what I wanted one more chance to say, was “I love you, Daddy. I miss you. I’m sorry.”

Now that picture, that collage, hangs in my living room. I look every day at the young man who went to war and the much older man who came home, and I know the story that fills the space between those two photos. Every year on November 11, I take out Frank’s letter and read it, wishing I’d gotten around to replying before it was too late, and lingering over the closing lines: “Bye for now great to be in touch with you after all these years I hope you will regard me as an uncle. God bless and protect you. Sincerely yours, Frank”.

One Strong Girl, S. Lesley Buxton

[Note: I’d planned to write about Pauline Dakin’s book, Run, Hide, Repeat, in this post until I realized that Lesley Buxton is giving a webinar in less than a week. See end of post for details and link.]

I knew of Lesley Buxton before I met her. A friend and colleague of mine in Ottawa, where Lesley lived at the time, had shared the unimaginable story of her losing her only child to a rare neurological disease. This had happened just over a year before she began the MFA program (class of 2016). I was, and remain, in awe of her resilience. 

I remember when Lesley began writing her book, One Strong Girl: Surviving the Unimaginable—a Mother’s Memoir (Pottersfield Press, 2018). She didn’t want to tell her story in chronological order because everyone would know the ending before they began. 

Instead, the book opens a few months after her daughter, India, has died. She and her husband are on a plane to Japan, with which India was obsessed, to celebrate what would have been her seventeenth birthday. They’d had a speck of their daughter’s ashes baked into 16 colourful glass beads that they planned to leave in places she would have loved to visit. When I heard this story, I thought that was a far better idea than anything else I could think of doing with the memory of a child, especially one who’d seemed destined to do creative and interesting things. 

Lesley’s story then goes back to a time when India was just 10 years old. It’s the day the first symptom of India’s illness appeared, remarkable only for the fact that Lesley had a dental appointment that day, until India inexplicably fell. Their journey began, the journey that every parent hopes will never begin for them. 

From there, the story moves back and forth in time, sort of the way grief moves back and forth, taking us from the present to a memory in the distant past to thoughts of the future to a memory in the recent past, in no particular order. 

“Mark and I decided, when we headed west through the States to Vancouver, a stop on our way to Japan, that if we wanted something, we’d treat ourselves. By the time we returned to Quebec in the middle of June, the back seat of our car was heaving with souvenirs … 

“In Gibson’s, British Columbia, I bought myself a dress on a whim. The dress had a halter top and a wide 1950s skirt. It was sky blue and covered with pirate flags. I knew she would approve, though she probably would have told me it was too low cut. 

“I never censored India’s taste. A romantic with a flair for the dramatic, she favoured Manga-inspired outfits over low-cut t-shirts and short skirts. She often looked as if she’d stepped out of an anime movie.

“We still have her clothes. Everything is packed in big blue Tupperware boxes. Among them, a cream-coloured satin Regent style wedding dress she liked because it looked like it belonged to a Jane Austen character, and a Goth evening gown which, when she was sick, she used to watch TV in. I have no idea what will become of these things.

“Whenever I buy clothes, the first thing I ask myself is if India would approve. She was very opinionated about how I should dress. Once when I was wearing white pants, she told me, ‘Mummy, you can’t wear white. You’re not Beyonce.’ I’m not sure what I said, but I’m pretty sure I laughed. Now I don’t ever wear white. Too afraid. India might strike me down with a lightning bolt.”

A few years after India died, Lesley and her husband, Mark, moved out to BC, where her sister and parents still live. A few years after that, Mark was diagnosed with cancer; he died in 2022. I remember being in awe of Lesley’s attitude after he passed. I live with depression and often struggle with thoughts of suicide, and all three of my children are still alive and well. I don’t know how I would manage in Lesley’s circumstances. But a short while after Mark passed, Lesley wrote on Facebook that continuing to live well and enjoy life would be her way of honouring Mark and India. It’s what they would want for her. 

It’s no wonder India was one strong girl. Her mother is one strong woman. 

One Strong Girl won the first-ever Pottersfield Prize for Creative Nonfiction.  On Sunday October 27, 2024, Lesley Buxton will present a webinar, Scene Stealing: Creating Textured Scenes Using Your Five Senses, through the Federation of BC Writers. 

Other books about illness and disability:

Run, Hide, Repeat: A Memoir of a Fugitive Childhood, by Pauline Dakin.

Just Jen: Thriving Through Multiple Sclerosis, by Jen Powell.

I Don’t Do Disability and Other Lies I’ve Told Myself, by Adelle Purdham.

Still, I Cannot Save You: A Memoir of Sisterhood, Love, and Letting Go, by Kelly S. Thompson.