Grief and Mental Health: Finding Strength in Loss

Close-up of a tattoo depicting a girl's profile surrounded by flowers, with the title 'One Strong Girl: Surviving the unimaginable, A mother's memoir' by S. Lesley Buxton.

Grief is not defined in the DSM V as a mental health issue, but I’m including it in my thematic series on mental health for two reasons: First, during several episodes of profound grief in my life, I was never quite in my right mind; and second, surviving grief calls on deep mental health reserves, without which one is at risk of diving into the bottomless pit of mental illness. 

Lesley Buxton has been visited by more grief than most—enough to know that to survive and continue finding joy in life, she must have deep reserves of mental wellness. Buxton’s book, One Strong Girl: Surviving the Unimaginable—A Mother’s Memoirtells the story of watching her only child die, over the course of years, of a rare neurological illness. Yet even amid her grief, she finds joy. 

One Strong Girl is a deeply personal and moving memoir of living with loss. It’s no wonder this heartbreaking yet inspiring book won the inaugural Pottersfield Prize for Creative Nonfiction. 

Book cover for 'A Cure for Heartache' by Mary Jane Grant featuring an open window with a view of a cityscape, a notebook and pencil, a cup of tea, and cookies on a table.

Mary Jane Grant is another person who has survived more episodes of grief than most. But when her husband suddenly left her after decades of marriage, something inside her demanded more attention. So, she went off to Europe and, in a tea shop one day, when taking in the fragrances of various blends, she started on the path that led to her book, A Cure for Heartache

This slim volume recounts how she worked through her grief by teaching herself to experience “life’s simple pleasures, one moment at a time.” After my marriage ended, given that I was the one who ended it, I was surprised at the depths of my grief. A big part of my path out of it was learning the practice of mindfulness through, among other things, a course in Mindfulness-Based Stress Reduction, which teaches a secular approach to meditation whose effectiveness in mental and physical health is supported by decades of properly executive research. 

While Grant doesn’t write about attending any mindfulness programs or even use the word “mindfulness,” that is indeed what she describes. It is amazing to me that she learned to do this almost instinctively. That is mental health, and during Mental HEALTH Awareness Month, we need to be as mindful of using mental health to prevent mental illness as we are of specific mental illnesses like those discussed in last week’s post. 

Book cover of 'Heartbroken: Field Notes on a Constant Condition' by Laura Pratt, featuring a wilted rose with smoke rising from it, and a red 'Canadian' label.

Laura Pratt’s Heartbroken: Field Notes on a Constant Condition is another study in surviving the loss of a partner. After a passionate, six-year affair ends suddenly and without explanation, the author crawls through the rocky emotional terrain of her grief. What differentiates Heartbroken from many other books about grieving is the way the author has, in lyric prose, braided together the story of the love affair and her profound grief after it ends with psychological research and artistic depictions of love and loss. 

This is one of the most poetic grief memoirs I’ve ever read. It amazes me that Pratt didn’t win a bucket or two of awards for it. 

Dying for Attention: A Graphic Memoir of Nursing Home Care, by Susan MacLeod, is less about the grief of losing a mother than of trudging day by day through the process of watching a mother die, slowly, while trying to find a safe and loving place for her to spend her final days. I remember this part of my mother’s life so well—her decline, searching for a nursing home, pushing emotions away until a more appropriate time. 

Book cover for 'Dying for Attention: A Graphic Memoir of Nursing Home Care' by Susan MacLeod, featuring illustrations and quotes from notable figures.

After she died, it was as if each of those losses caught up with us one at a time; every time we thought we were finally adjusting to the permanence of her absence, another tidal wave of grief would wash over us. It was as if we were finally grieving each smaller loss in sequence over the year or two after her death. This is what I found myself reflecting on as I read MacLeod’s moving memoir, depicted in drawings that blended whimsical thoughts and self-deprecation with the pain of loss.

Walking the Camino: On Earth As It Is, by Maryanna Gabriel, is another story of losing a mother, about as different from the previous one as it could possibly be. The back cover reads: “For Maryanna Gabriel, the unexpected death of her artistic mother would change everything in her life. More than just overcoming this loss, she felt that she needed answer, not from other, but from within herself …. At times meditative yet punctuated with humour, the story takes place in a compelling European tableau where legends of saints and miracles abide.”

Book covers for 'One Strong Girl,' A Cure for Heartache,' 'Heartbroken,' 'Dying for Attention,' and 'Walking the Camino.'

Walking the Camino is not the first book I’ve read about this pilgrimage taken by thousands of people from across the globe every year. More than a decade ago, I edited a manuscript about an author’s years of long-distance hiking with his wife, part of which was completing the Camino walk in three stages over three consecutive years. I was compelled to want to do the same; I still haven’t done that, but Gabriel’s book is a welcome reminder that there are many ways to integrate life’s losses and move forward.

I’d also recommend: 

Still, I Cannot Save You: A Memoir of Sisterhood, Love, and Letting Go by Kelly S. Thompson. 

Many of us have sibling relationships that waver between love and tolerance (or worse) over the years. Most of us don’t have to face the tragic loss of a sibling far too young. Thompson’s memoir is a moving study in mental illness (her sister’s addiction) and mental wellness (integrating the loss of the same sister to cancer into her life). 

Essential Feminist Reads for International Women’s Month

March 8 was International Women’s Day, and the month of March is International Women’s Month. With a nod to both, with this post I acknowledge several books from the Master of Fine Arts in Creative Nonfiction program that further the cause of justice and equality for women. 

Cover of the book 'Halal Sex: The Intimate Lives of Muslim Women in North America' by Sheima Benembarek, featuring ripe figs and a 'Staff Pick' label.

It’s hard to pick just a few books. The program is dominated by women, all of whom I’d describe as feminist, and many of their stories are about women’s lives, whether their own or others. But if I’m going to stick strictly to books with a decidedly feminist theme, I’d choose these five:

Halal Sex: The Intimate Lives of Muslim Women in North America by Sheima Benembarek. This book was eye-opening for me. It honestly never occurred to me that a blue-haired, niqab-wearing, orthodox Muslim woman might be polyamorous. It doesn’t surprise me that a child from a Muslim family might be just as likely as a child from any other family to be transgender. But I have to admit some surprise—the good kind—in reading about a same-sex couple, both comedians, one a Palestinian-born Muslim the other a Jew from Montreal who perform individually and as a pair who starred in a Crave comedy special called Marriage of Convenience. The title of the book, Halal Sex, comes from a term for sex practiced within a heterosexual Muslim marriage. But Benembarek put a decidedly feminist twist on it by redefining it as “all consensual sex between adults.” 

Book cover featuring the title 'Every Boy I Ever Kissed' by Nellwyn Lampert, with a graphic design showing a woman in a red dress and hands embracing her.

Every Boy I Ever Kissed: A Memoir by Nellwyn Lampert. I started calling myself a feminist at the age of 13. I was in way too much of a hurry to lose my virginity, which I did at 14. I had no idea of the connection between the two. But there is a connection, a pretty important one. And that connection is a major part of what Lampert wrestles with in this coming-of-age memoir. As the cover blurb says, “for Nellwyn Lampert, losing her virginity would turn out to be anything but simple. Her chosen partners struggled with porn-induced erectile dysfunction and other crises of masculinity. And in the bedroom, nothing went according to plan.” So, in that regard, our experiences were entirely different. But in terms of “the realities of sexual liberation, female empowerment, and masculinity,” the issues are not that different at all than the ones I was too young to realize I was doing with more than 50 years ago that sexual freedom and gender freedom are two very different concepts. 

Cover of the book 'Highway of Tears' by Jessica McDiarmid, featuring an illustrated mask and a striking orange background. The subtitle highlights themes of racism and justice for missing and murdered Indigenous women and girls.

Highway of Tears: A True Story of Racism, Indifference and the Pursuit of Justice for Missing and Murdered Indigenous Women and Girls by Jessica McDiarmid. It’s a grim fact that Indigenous women make up only about 4% of the female population in Canada but accounted for 16% of all female homicides between 1980 and 2012. And a disturbing number of those women are abducted, raped, and murdered along a strip of highway in northern BC called the Highway of Tears. From the back cover: “Journalist Jessica McDiarmid investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women and girls are over-policed, yet under-protected.” As difficult as this book was to read, it was just as difficult to put down. I can’t imagine a better lens through which to examine the intersection of racism and misogyny than through the horrific impacts of colonization by patriarchal white, European culture on Indigenous women and girls. 

Book cover of 'F Bomb: Dispatches from the War on Feminism' by Lauren McKeon featuring bold black text and a pink graffiti-style accent.

F Bomb: Dispatches from the War on Feminism by Lauren McKeon. It’s always surprised me that when I say I’ve been calling myself a feminist since I was 13 but I haven’t always felt that feminism welcomed me, what many people seem to hear is that I don’t think feminism is necessary or relevant. In fact, I’m saying exactly the opposite—that feminism remains as relevant today as ever and that’s why it’s so important to ensure that ALL sorts of women feel a sense of belonging within the movement. That was my read on McKeon’s book. She recognizes that too many women have moved in the wrong direction instead of understanding that feminism is for every woman—that, indeed, until we are all free, none of us are free. Why has this happened? That, as McKeon points out, is a question for feminists to answer. And as women’s rights are being eroded daily, it’s becoming increasingly urgent that we answer it and ensure that all women feel that the arms of feminism welcome them. 

Book cover for 'Conspiracy of Hope' by Renée Pellerin, featuring stylized illustrations of a woman's chest with highlighted areas, and subtitle 'The Truth About Breast Cancer Screening'.

Conspiracy of Hope: The Truth About Breast Cancer Screening by Renée Pellerin. No woman in the western world isn’t familiar with the unique joy (she said sarcastically) of having her breasts pulled and twisted and squished between cold metal plates for their regular mammogram. In this book, Pellerin, an award-winning producer with the CBC, does a deep dive into the evidence supporting and opposing regular mammography screening. And her conclusion is that the evidence weighs strongly in favour of less screening. It’s supported by vested interests, false positives can lead to invasive overtreatment, false negatives can give women a false sense of security, its effectiveness differs significantly for different age groups, and regular exposure to radiation can, in a small number of cases, increase risk of cancer. It’s an eye-opening book that every woman should read and consider carefully before assuming that doctor’s orders should never be questioned. 

Happy International Women’s Month and enjoy the reading!

Walking the Camino: A Healing Journey

Several years ago, I coached a client through a few drafts of a memoir. About twenty years earlier, he and his wife, always up for travel and adventure, had tried long-distance hiking. It had been disastrous: they’d done no training, they were wearing new ill-fitting boots, and their six-year-old son was with them. They abandoned their hike about halfway through. 

Book cover of 'Walking the Camino: On Earth as It Is' by Maryanna Gabriel, featuring a path leading into the horizon with silhouettes of hikers.

A few years later, both approaching milestone birthdays, they were mulling over how to celebrate and decided to give hiking another try, this time doing lots of research and physical training, and leaving their children with family. It went so well and was so fulfilling that they made it an annual tradition. 

At first, they did a few hikes in England, a hiking-friendly country. Then they decided to tackle something bigger: El Camino de Santiago, a trail for religious pilgrims that starts in the French Pyrenees and makes its way across northern Spain and Portugal to its terminus in Galicia, on the Atlantic Coast. Around 800 kilometres long, it takes thirty to forty days to complete; they broke it into three segments, which they completed over three years.

I’ve been intrigued with the idea of hiking the Camino ever since. So, Maryanna Gabriel’s (class of 2022) book, Walking the Camino: On Earth as It Is (Pottersfield Press, 2023) immediately leapt out at me. A bit adrift after the unexpected death of her mother, Gabriel was seeking a way to deal with her grief and reconnect with her inner self. She attended a talk about walking the Camino, where a stranger with whom she exchanged a few brief words leaned in and said, “Walk the Camino. You’ll know why.” 

Her travel memoir, Walking the Camino, is exactly what the title promises: a chronicle of Gabriel’s experience, from that moment at the talk, through months of preparation, and from the beginning of the famed spiritual route in the Pyrenees Mountains to its end at the Atlantic Ocean. Just a few days into the hike, she writes about a moment when she’s resting with some fellow travellers, talking about the ineffable quality of the Camino.

I lifted my head at a pause. Something unusual was happening. I was trying to understand a rushing sensation from a great depth. I examined Bjørn intently.

“May I have your permission to pray,” he asked. His blue eyes twinkled.

It was getting late, customers had departed, and the owner had disappeared. We were alone. Kris and I glanced at each other and nodded.

Intonations of sound emerged. Rumbles that seemed ancient and long forgotten. Vowels tumbled, then halted, and gathered momentum. Bjørn tossed back his head and boomed in a crescendo of resounding benediction, a cascading river that encircled us then rolled upwards into the starlight. The sound was unlike any language I had ever heard, Latin but not Latin, Hebrew but not Hebrew, Spanish but not Spanish, but seemed to contain elements of these languages. The effect was musical and the intent benevolent. It uplifted the heart and I was filled with the wonder of it. Of babies, and cinnamon toast, dragonflies on mountain lakes, of angels blowing their horns, of kisses and custard and roses, a flower dappled in sunlight and pollen and dewdrops, the laughter of children, a first candy cane, of cookies and fire crackle, the crunch of snow, the crinkle of presents, of soft knitted socks, and the snuggle of Sunday mornings. A profound peace coursed through me, as though I had been enormously blessed. Was it from this world or beyond?

The reverberations slowly died away. Had Bjørn been speaking in tongues? I roused myself. I had to ask.

“Does this happen often?”

He mumbled and looked at me shyly from beneath shaggy brows. “Sometimes.”

Beautiful, visual, lyrical writing.

Anyone I’ve spoken to who’s done the Camino comes back with similar stories of wonder and awe and peace. The writer I spoke of earlier was at a complete loss to express his feelings as he and his wife drew close to and finally reached the end point, the finish line they’d been striving toward for three years. 

I don’t know if I’ll ever walk the Camino. It seems huge, daunting. But if the kind of experience Gabriel and my writing client describe awaits along the route or at the end, maybe, just maybe, I should do it. 

Walking the Camino: On Earth As It Is was the 2022 winner of the Pottersfield Prize for Creative Nonfiction. Other winners of this award from among the graduates of the MFA program include:

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Leslie Buxton

The Tides of Time: A Nova Scotia Book of Seasons, by Suzanne Stewart

The Illogical Adventure: A Memoir of Love and Fate, by Andrew MacDuff and Mirriam Mweemba. Review coming soon.

Other books of inner exploration through travel:

How to Clean a Fish: and Other Adventures in Portugal, by Esmeralda Cabral

Louisburg or Bust: A Surfer’s Wild Ride Down Nova Scotia’s Drowned Coast, by RC Scott

The Truth Behind Breast Cancer Screening: A Review

October is Breast Cancer Awareness Month

I’ve never met a woman who doesn’t hate having her biennial mammogram. And why would any woman not hate it? It feels like the technician is trying to pull your breast right out of your chest and squash it as flat as a pancake between two very cold metal slabs. 

Regardless, every two years, I receive a reminder letter that I’m due for my mammogram and I dutifully make my next appointment and get it done. It’s become such a regular part of women’s health care regimes once they’re past 40 that almost no one questions it. 

Enter Reneé Pellerin (class of 2016), who questions it deeply in Conspiracy of Hope: The Truth about Breast Cancer Screening (Goose Lane Editions, 2018). Pellerin points out that, at best, research doesn’t clearly support screening programs, and at worst, it suggests they may cause harm. 

In a cover blurb written by Dr. Brain Goldman, host of CBC’s White Coat, Black Art, the veteran ER physician writes, “Pellerin knows the science better than many of the doctors in whose hands women have placed their trust.” On that note, I’ll let Pellerin speak for herself. The following passages are taken from the beginning and the end of the introduction:

Based on the knowledge of the day and her own decade of experience, [Maureen] Roberts [the clinical director of the Edinburgh Breast Screening Project] expressed serious misgivings about the nationwide breast screening program launched in the United Kingdom the year before she died. She acknowledged … research that showed mammography screening reduced deaths from breast cancer by 30 percent. But she urged her readers to also consider other research that did not find benefit….

Then she asked, “If screening does little or no good could it possibly be doing any harm? We are all reluctant to face this…. There is also an air of evangelism, few people questioning what is actually being done,” she wrote. “Are we brainwashing ourselves into thinking that we are making a dramatic impact on a serious disease before we brainwash the public?” …

Toward the end of the introduction, Pellerin concludes:

The story of mammography screening is a story about science and medicine. It’s a story about hundreds of thousands of women who were participants in screening studies around the world. It’s a story about honest differences and sincere efforts to do good. It is also a story about vested interests, money, and greed….mammography is a multi-billion dollar industry that provides employment to radiologists, creates markets for the latest in imaging equipment built by multinational companies, and perpetuates the bureaucracy and infrastructure of government-run screening programs. Pink ribbon charities that benefit financially from our fear of breast cancer take advantage of paternalistic messaging around early detection. The desire to believe in early detection is intuitive and compelling with the result that women and their doctors become complicit in the conspiracy, if unwittingly.

It’s not unusual for scientists to disagree, and controversy in medicine is not surprising…. But nothing in medicine has ever generated as much controversy or conflict as mammography screening. The mammogram story is about much more than argument. Sadly, it is often about backstabbing, bullying, and deliberate suppression of information. These are the by-products of fear and hope.

If you’re a woman, or if you’ve ever loved a woman—partner, mother, daughter, sister—read this book. You may still go for your regular mammograms—I do—but with just a little more doubt in my mind than I ever used to have. And that’s not a bad thing. 

Other books for women: 

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Lesley Buxton.

Halal Sex: The Intimate Lives of Muslim Women in North America, by Sheima Benembarek.

Every Boy I Ever Kissed: A Memoir, by Nellwyn Lampert.

Highway of Tears: A True Story of Racism, Indifference and the Pursuit of Justice for Missing and Murdered Indigenous Women and Girls, by Jessica McDiarmid.

F Bomb: Dispatches from the War on Feminism, by Lauren McKeon.

“It Wasn’t Child Abuse or Neglect; It Was Just My Family”

For several years in my twenties, I worked with what were then called “emotionally disturbed” children. I worked in group homes with young children and teens, did one-to-one contracts, and eventually worked in a receiving home for street kids. 

I dealt with kids whose behaviours were off the charts, like the girl who told me she was going to slice my guts open and leave me bleeding beside my five-month fetus on the street. I heard stories that made my neck hair stand on end, like the girl whose father pimped out her older half-sister to support himself and the two younger children. 

But mostly I worked with kids who were struggling to deal with the realities of life with parents who, often because of their own childhood experiences, weren’t anywhere close to knowing what good parenting looked like. 

In The View from Coffin Ridge: A Childhood Exhumed (The Ginger Press, 2024), author Gwen Lamont describes the latter kind of abuse, the gnawing daily neglect that characterized her childhood. 

There was the poverty because Dad always thought the next big scam would solve their financial problems; the money that disappeared in a fog of gambling and alcohol and second-hand smoke; the frequent moves that kept the children from establishing friendships with other children or relationships with adults who might have helped. 

There was the non-stop bickering between a mother and father who’d long since stopped liking each other but couldn’t imagine anything different; the children’s teeth, rotting from a total lack of dental hygiene; and a decision her father made to get her teeth fixed when she was in grade 9, which ultimately led to her not finishing grade 9 or any more of  high school.

As traumatizing as all of this must have been, Lamont says, she never really thought of it as child abuse and still feels taken aback by references to her “trauma.” This was just her family, her life; she didn’t know anything else. 

Here’s an excerpt of what Lamont’s family life was like:

I had seen teacups, spatulas, and a can or two fly through the air but this day it was a kitchen chair I watched hit the wall with such a force it left a hole. As if the chair throwing hadn’t made her point, Mom followed it with one of her tirades. 

“I’m not moving again, John Godfrey Morrison. I don’t give a shit what you do. I’m not going. You’ll have to go without me and the girls.” He wouldn’t go without us, would he?  “I’m sick to death of your schemes that never amount to a hill of beans. I’m not going and that’s final.”

Dad sat silent, grinding his jaw with such violence I could hear it clear across the room. Red blotches crept up his face. The whistling started soft and slow, then grew faster and louder. 

“I don’t care if you never speak to me again and you can whistle forever, you goddamn son-of-a-bitch. I AM NOT MOVING! Just when I find a job I love, and just when the girls are settled, you want to move to the goddamn middle of nowhere? And your mother, Jack, what about her money?”

Dad whistled.

“And just remember it was you who had to have this house, Jack Morrison. You! Not me! You talked me into this house and now you have the nerve to want to move us again.” She crossed her arms across her heart. “You jerk. What the hell are you running from this time?” 

Dad whistled louder. My stomach knotted.

It’s hard to pick just one passage to quote because the tension in the book rises relentlessly. There’s never a break. And that, it would seem, is what Lamont’s childhood was like. A relentless struggle, no winners, no losers, no end in sight. 

It did finally end. For years, she buried her past beyond memory while she went on to earn a BA, BSW, and MSW, work as a social worker in child protection and intimate partner violence. It was really only in writing this book and eventually earning a Master of Fine Arts degree in Creative Nonfiction Writing at University of King’s College that Lamont began to face the impacts her childhood had on her.

The contents of The View from Coffin Ridge make it a difficult read, but the story is told with such skill that it was hard to put down. I find I’m writing those words about many of the books I’m reviewing, but that doesn’t make it less true. These stories embody what it means to be human and are of singularly high quality. And I’m reminded how grateful I am to have been part of this program.

Other books from the class of 2019:

How to Clean a Fish: And Other Adventures in Portugal, by Esmeralda Cabral

On Borrowed Time: Shaking Complacency in North America’s Seismic Zones, by Gregor Craigie

Some Kind of Hero, by Kirk Johnson. Review coming soon.

The Performance Equation, by Kevin Kelloway. Review coming soon.

Visiting Africa: A Memoir, by Jesse O’Reilly-Conlin. Review coming soon.

Cod Collapse: The Rise and Fall of Newfoundland’s Saltwater Cowboy, Jennifer Thornhill Verma

Understanding How Concussion Affects Women’s Lives

This week’s post is not about a book—well it is, sort of; and it’s not about a UKing’s grad, although it is about someone who attended the MFA in Creative Nonfiction program. 

Julia Nunes, who has cowritten two books on mental health with Scott Simmie, was in the class of 2016. We hit it off while we were in New York for the publishing residency. My book (which will be released in the spring) is about a concussion I suffered over twenty years ago now. She, too, was writing about concussion, focusing on her son, who was at that time lying in bed with, if memory serves, his second hockey concussion—crushing headaches, severe photophobia, disorienting dizziness, ongoing vomiting, the whole nine yards. 

The first night we were in New York, I was out to dinner with Deirdre Macdonald (a peer in the class of 2015 who’s just released her MFA book project, Her Hat in the Ring: Toronto Milliner El Jamon and Her Circle). As we got up to leave, I slipped on a piece of tomato on the floor and fell backward, striking the back of my head on the corner of a table in almost exactly the same spot I had struck in 2003, when I sustained the concussion I was writing about. 

I went by ambulance to the hospital (with Deirdre, bless her) and yes, I had another concussion. It nearly ruined my time in New York—headaches, dizziness, thankfully not vomiting—so I only attended a few of the lectures (couldn’t focus for long) and none of the social events (way too loud). By the last day, I was feeling a bit better, so Julia and I explored The Highline and walked around Strand Books.

I finished my degree that year; Julia didn’t get to finish the year because a short while later she fell and had a severe concussion. It took her months to recover. I think she’d hoped to return the following year, but then she suffered another concussion, and another (having one concussion increases the risk of having another). 

So, she never finished her degree (or, as far as I know, the book about the inadequate way children’s sports teams were dealing with concussion in players). However,  I recently read an excellent book called Impact: Women Writing After Concussion, edited by ED Morin and Jane Cawthorne (University of Alberta Press, 2021). Toward the end of this wonderful and vindicating anthology of essays is an essay by Julia Nunes called “The Next Hit.”

This excerpt hit home for me:

I attended a speech recently by a woman who lived first with post-concussion syndrome (PCS) and then with breast cancer. She shared a PowerPoint graph called “Sympathy by Casserole.” The comparison was stark: friends and family delivered more than sixty meals as she underwent chemotherapy versus zero meals post-concussion. Yet breast cancer, she said, was a breeze compared to PCS. The pain was less intense and the brain fog of chemotherapy had nothing on the confused, muddy state of the concussed mind.

I had something like this happen to me not long after my concussion. A friend who no longer lives on the Pacific Coast came into town with her husband for three months. In all that time, she found forty-five minutes for me but visited a friend who was dealing with breast cancer numerous times. When I expressed my hurt, she responded with something like, “Lynne, she has cancer. You bumped your head.” 

No one really understands concussion until and unless they live through it; no one understands that while seventy to eighty-five percent of concussions heal within days, weeks, or months, the other fifteen to thirty percent can continue causing symptoms for years, even lifetimes. 

Sadly, I know Julia understands—sadly because as much I’d like people to understand better, I wouldn’t wish a single concussion on anyone, much less multiple concussions. 

If you’ve never had a concussion and would like to understand it better, read Impact, starting with Julia Nunes’ excellent essay, “The Next Hit.”

And if you’ve had a concussion and would like to see your experiences reflected accurately on a page, read Impact, starting with Julia Nunes’ excellent essay, “The Next Hit.”

Here are other books from the prolific graduating class of 2016:

The Fruitful City: The Enduring Power of the Urban Food Forest, by Helena Moncrieff

The Tides of Time: A Nova Scotia Book of Seasons, by Suzanne Stewart

Overrun: Dispatches from the Asian Carp Crisis, by Andrew Reeves

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Lesley Buxton

A Cure for Heartache: Life’s Simple Pleasures, One Moment at a Time, by MJ Grant. Review coming soon.

Winter in the City of Light: A Search for Self in Retirementby Sue Harper

Conspiracy of Hope: The Truth About Breast Cancer Screening, by Renée Pellerin 

Craigdarroch Castle in 21 Treasures, by Moira Dann

Press Enter to Continue: Scribes from Babylon to Silicon, by Joan Francuz

Sit Still and Prosper: How a Former Money Manager Discovered the Path to Investing with Greater Clarity, Calmness, and Confidence, by Stephanie Griffiths. Review coming soon.

A Distorted Revolution: How Eric’s Trip Changed Music, Moncton and Me, by Jason Murray. Review coming soon.

No Place to Go: How Public Toilets Fail Our Private Needs, by Lezlie Lowe

Highway of Tears: A True Story of Racism, Indifference, and the Pursuit of Justice for Missing and Murdered Indigenous Women, by Jessica McDiarmid

F-Bomb: Dispatches from the War on Feminism, by Lauren McKeon

Must-Read Books from Recent Canadian Graduates: Part 2 of The List So Far

So many new authors on this list! (For comparison, see the first list here.) Congratulations to all the newly published authors (at least since the first list), to all the authors who were published long before I reviewed your books, I’m reading as fast as I can, and to all the authors who’ve been published that I still haven’t got to … I’m reading as fast as I can! And to anyone reading this, if I’ve missed anything, gotten any details wrong, or in some cases don’t know the year you graduated, please let me know. And the winners are:

(Edited to add: Apparently I missed quite a few books that should go on this list. I’ve added them at the top of the list so you won’t miss them. There have been several more deals but the books aren’t out yet and I’m unable to find complete information about them.)

Barone, Rina (class of 20??) Art Always Wins: The Chaotic World of Avant-garde Pioneer Al Hansen, (press and year?)

Jaffer, Taslim (class of 2022) with Omar Mouallem, Back Where I Came From: On Culture, Identity, and Home. Book*hug Press, 2024.

Kierans, Kim (class of 2025), Journalism for the Public Good: The Michener Awards at Fifty. Bighorn Books, 2024.

Kuzmyk, Emma (class of 2025) with Addy Strickland, This Wasn’t On the Syllabus: Stories from the Front Lines. Simon & Schuster, 2024.

McKay, Lori (class of 2020) Searching for Mayflowers: The True Story of Canada’s First QuintupletsNimbus Publishing, 2024.

Moore, Chris (2024) The Power of Guilt: Why We Feel It and Its Surprising Ability to Heal. HarperCollins (Canada), BenBella (US), August Books (UK), 2025.

Moscovitch, Philip (2019) Adventures in Bubbles and Brine: What I Learned from Nova Scotia’s Masters of Fermented Foods—Craft Beer, Cider, Cheese, Sauerkraut and More. Formac Publishing, 2019.

Simpson, Sharon J. (class of 2021) The Kelowna Story: An Okanagan History, 2nd Edition. Harbour Publishing, 2025.

John Larsen’s (Class of 2023 I think) book is not out yet–due in 2026 I think. 

Book cover of 'Black Cake, Turtle Soup, and Other Dilemmas' by Gloria Blizzard, featuring a colorful abstract background with wavy lines.
Book cover for 'Press Enter to Continue: Scribes from Babylon to Silicon' by Joan Francuz, featuring an image of ancient scribes on a laptop screen.
Book cover for 'The View from Coffin Ridge: A Childhood Exhumed' by Gwen Lamont featuring a black and white photograph of a corridor with scattered leaves.

Book cover design for 'The Fruitful City' by Helena Moncrieff, featuring colorful illustrations of leaves and flowers, with the subtitle 'The Enduring Power of the Urban Food Forest'.
Book cover for 'Overrun: Dispatches from the Asian Carp Crisis' by Andrew Reeves, featuring various species of fish against a light blue background.
Book cover of 'Peace by Chocolate' by Jon Tattrie, depicting the Hadhad family by the sea, highlighting their journey from Syria to Canada.

Understanding Disability: A Journey Through Parenthood (and other essays)

The closest I can come to understanding what it’s like to have a child with a disability is that all three of my kids, when they were very young, were in and out of hospital with asthma, and felt like they stuck out at school because they were the only ones with food allergies, some of them life-threatening. 

Cover of the book 'I Don’t Do Disability And Other Lies I’ve Told Myself' by Adelle Purdham featuring a blue background with artistic illustrations of leaves, a bird, and a horse.

It doesn’t begin to compare to learning the child you’re carrying has Down Syndrome, or to waiting many extra months for your child to figure out a pincer grip. Where it does compare is the understanding that your child is your child and they are absolutely perfect the way they are (even though it doesn’t always feel like it when they’re in the middle of a raging tantrum).

In the series of essays that comprise I Don’t Do Disability and Other Lies I’ve Told Myself (Dundurn Press, 2024), author Adelle Purdham (class of 2022) walks us through the emotional wreckage of finding out that your unborn child has a disability, the prejudices we are likely to uncover within ourselves when that happens, and the fierce protective instincts that then compel that parent to become a disability activist, advocate, ally. 

But that’s not all she walks us through because these essays also cover the terrain of love and marriage, of being a mother/writer who feels guilty when she’s mothering about not writing and when she’s writing instead of mothering (boy, do I know that one well), and who tries in every moment of her life—okay, as many moments as possible—to be a good person. In a deeply touching and achingly honest essay called “A Thin Line,” she writes about an encounter with a homeless woman. 

I see her as I drive past, stumbling down the street, decrepit. Please, I think, I don’t want us to run into her. She is a mess. I’m Ronald from The Paper Bag Princess …

We are on our way to the cottage. The SUV is packed full. The girls have their cupholders folded down in anticipation the bottles of iced tea I will be buying them to go with their dinner. …

I park the car and notice the Freshii on the corner. “What about Freshii? You girls can get bowls.’

While these girls have not yet been exposed to the ways of the world, the underworld, they are well versed in the vernacular of a privileged life. They speak the dialect of healthy takeout well. As do I. … the girls and I can afford to cruise around until we find an open takeout place that suits our tastes. This idea of accessibility to food as an immense privilege will sit with me and my uneaten burrito, afterward, when I find I no longer have an appetite.

As we cross Hunter Street, directly in front of us is the woman, doubled over …

“Please, can you help me?”

She asks for money, and I immediately reach for my wallet and pull out a loonie, the only coin I have. Why have I not pulled out a bill? Is it because I believe she will use it on drugs or alcohol instead of food? Yes….

“I need help,” she repeats. “I’m scared.”

With the enunciation of her fear, that is it. The thin sheath between us slips away and the world stops for her and me. Our lines cross, her path and mine, like asteroids colliding, and intergalactic even. I feel the presence of the girls over my left shoulder, standing stone still, watching. If I turn my back on this woman and hurry the girls away, it will be like turning a shoulder on myself, on my daughter, on my daughter’s friend, on the very stardust I am made of.

“Do you need to go to a shelter?” I ask her. Clearly, I think she needs to go to a shelter. She can’t stay here … 

On my iPhone, I quickly google the number for the shelter. …

“It’s so good to see kids,” she says, squeezing her eyes shut, then opening them. “It’s been so long since I’ve seen any kids.” …

Springing into action is what privileged women like me know how to do. We ascertain the problem and create a plan. My plan is to call the shelter. Make sure this woman is safe. Show my kids that I care, that we should all care, that a person in need is a person in need. That we don’t turn our backs on a person in need, no matter how destitute, forgotten, and discarded they seem. Especially when that is the case. Why is that the case? And why do I need to remind myself of this?

I won’t spoil the outcome for you. I will just say that this is some of the best literary writing I’ve read in a while—clear, compelling, compassionate. Purdham’s voice pulls me in; I could be standing next to her, watching the scene in each essay unfold, whether it’s at the lake listening to the loons, in a rocking chair nursing an infant, or on a street trying to help an unhoused woman through a state of extreme distress.

July is Disability Pride Month. Add to your pride in knowing a bit more about disability tomorrow than you did yesterday by reading this book.

Here are some other books about disability:

Just Jen: Thriving Through Multiple Sclerosis, by Jen Powley.

One Strong Girl: Surviving the Unimaginable—A Mother’s Memoir, by S. Lesley Buxton.

Scream Therapy: A Punk Journey through Mental Health, by Jason Schreurs.

Highway of Tears: A Story of Indigenous Women’s Tragedy

Saturday June 21 is National Indigenous Peoples Day in Canada. Although there are other days dedicated to Truth and Reconciliation and Canada’s Missing and Murdered Indigenous Women, I can’t let June 21 go by without reflecting on the tragedy of our lost women. I live in Port Coquitlam, BC, where notorious serial killer Robert Pickton was born, raised, and spent several years murdering at least 49 women. Many or most were Indigenous sex workers, their murders undetected by RCMP until they stumbled on a grisly scene when executing a search warrant for illegal firearms on the Pickton family’s pig farm. 

Book cover of 'Highway of Tears' by Jessica McDiarmid, featuring Indigenous art elements and detailing the pursuit of justice for missing and murdered Indigenous women and girls.

All women are subject to violence, largely at the hands of men. While feminism has been bringing attention to the scourge for decades, few inroads have been made into the reality that Indigenous women are three times as likely to be subject to gender-based violence and six times more likely to be murdered than their non-Indigenous sisters. So when I saw that Canadian journalist Jessica McDiarmid (class of 2016) had published Highway of Tears: A True Story of Racism, Indifference and the Pursuit of Justice for Missing and Murdered Indigenous Women and Girls (Penguin Random House, 2019), I bought and read it almost immediately.

“The Highway of Tears is a 725-kilometre stretch of highway in British Columbia,” McDiarmid writes, running approximately from Prince George to Prince Rupert. “And it is a microcosm of a national tragedy—and travesty.” 

She continues: 

I was ten years old the first time I saw Ramona Wilson. A photo of her, smiling, black hair cloaking her left shoulder, was printed on sheets of eight-by-eleven paper and hung up around Smithers, the B.C. town where we both grew up. Over the picture was a banner that read: MISSING. Under it was a description: 16 years old, native, 5 foot 1, 120 pounds, last seen June 11, 1994. The posters plastered telephone poles and gas station doors and grocery story bulletin boards throughout town and the surrounding areas for months. But in April the following year, the posters were taken down. She was gone. 

I would learn later that Ramona wasn’t the only First Nations girl or young woman to vanish from the area … There wasn’t a great fuss about these missing and murdered girls. “Just another native” is how mothers and sisters and aunties describe the pervasive attitude. Police officers gave terrified, grieving families the distinct impression that they didn’t care and didn’t try very hard. Nor did the public rally to the cause in large numbers …

I left northwestern British Columbia in my late teens and never planned to return, aside from the odd week or two to visit family. I reported from across the country and overseas, focusing when I could on human rights abuses and social injustice … Over those years, I watched as women and girls in northwestern B.C. continued to disappear —Nicole Hoar, Tamara Chipman, Aielah Saric-Auger, Bonnie Joseph, Mackie Basil—and long felt that I needed to come home to this story. The first time I spoke with local family members … was in 2009. But it wasn’t for another seven years that circumstances aligned and I returned home to research and write this book. 

In June of 2016, not long after I arrived back in Smithers, I had the honour of walking the Highway of Tears with Brenda Wilson, Ramona’s sister; Angeline Chalifoux, the auntie of fourteen-year-old Aielah Saric-Auger; and Val Bolton, Brenda’s dear friend, along with dozens of family members and supporters who joined them for part of the way. … [We arrived in Prince George on] June 21, National Aboriginal Day, and hundreds of people had turned out … Angeline told Aielah’s story, and then she read to the crowd her favourite quote, from Martin Luther King Jr. “He who passively accepts evil is as much involved in it as he who helps to perpetrate it,” she read out. “He who accepts evil without protesting against it is really cooperating with it.” 

This is a thoroughly researched, beautifully written, and compassionate book. It was a finalist for the RBC Taylor Prize and the Hubert Evans Prize and a national bestseller. I encourage you to read it.

Post Script: There is also a Highway of Tears documentary (2015), a documentary called The Pig Farm (2011) about the Pickton murders, and a true crime documentary series called Sasha Reid and The Midnight Order (2024), which focuses in part on the so-called Butcher of Port Coquitlam. 

Other not-so-great moments in Canadian history:

Murder on the Inside: The True Story of the Deadly Riot at Kingston Penitentiary, by Catherine Fogarty.

Acadian Driftwood: One Family and the Great Expulsion, by Tyler LeBlanc.

Cod Collapse: The Rise and Fall of Newfoundland’s Saltwater Cowboys, by Jenn Thornhill Verma.

Fifteen Thousand Pieces: A Medical Examiner’s Journey Through Disaster, by Gina Leola Woolsey.

University of King’s College MFA Program in Creative Nonfiction: Books Published So Far

If you’re already on this list, congratulations! You’re in terrific company. If you’re not on this list, keep putting yourself (and more importantly your book) out there. Meanwhile, in case you’re curious, here’s what (I think) the list is so far. If I’ve missed anything, gotten any details wrong, or in some cases don’t know the year you graduated, please let me know.

Book cover of 'The Heart of a Superfan' by Nav Bhatia, featuring a smiling man in a Raptors jersey and a black and red jacket, with a white turban, against a purple background.
Book cover for 'Run, Hide, Repeat: A Memoir of a Fugitive Childhood' by Pauline Dakin featuring a vintage roadside scene.

Cover of the book 'Murder on the Inside: The True Story of the Deadly Riot at Kingston Penitentiary' by Catherine Fogarty, featuring an image of the penitentiary.

the Eiffel Tower with the book title overlaying it

cover of book No Place to Go with image of empty toilet paper roll.

Book cover of 'Heartbroken: Field Notes on a Constant Condition' by Laura Pratt, featuring a stylized image of a rose with a smoky effect and the word 'Canadian' in the top right corner.

Book cover for 'How to Share an Egg' by Bonny Reichert, featuring an illustration of an egg on a blue background with the title and author's name displayed.

Book cover of 'Still, I Cannot Save You' by Kelly S. Thompson, featuring a person in red walking on a sandy shore with a vast landscape in the background.