memoir

Surfing in Nova Scotia: ‘Louisbourg or Bust’

/ Lynne Melcombe / 2 Comments

When I was a little girl in the 1960s, and it would come to bedtime, I would have my radio playing quietly in my bedroom—lights off, door open. I was supposed to be going to sleep, but most evenings I’d stay up for at least an hour past my bedtime listening to the Beach Boys and dancing in the dark in my baby doll pyjamas, mastering the Jerk and the Monkey and the Twist and the Swim and the Pony. 

Book cover of 'Louisbourg or Bust' by RC Shaw featuring a bicycle with a trailer that includes a surfboard and camping gear, set against a backdrop of green trees.

I was pretty wild when I was eight years old. And of course, I wanted to be a surfer girl, just like Gidget. 

I still wish I’d learned to surf at some point, but I doubt I will now. I tried windsurfing a couple years ago and I couldn’t get my balance. So much for Gidget. 

But it sure was fun reading RC Shaw’s (class of 2017) Louisburg or Bust: A Surfer’s Wild Ride Down Nova Scotia’s Drowned Coast (Pottersfield Press, 2018) and imagining myself out there on the waves. I didn’t even know you could surf in Nova Scotia. My mental images of surfing are in places like California and Hawaii and Australia, where the waves get big, man. 

But apparently there’s some great surfing in Canada’s Atlantic provinces. Shaw tells us all about it in his memoir/travelogue of a trip he took for no explicable reason from his comfortable home in Cow Bay (where he lives with his wife and two little girls) up the Nova Scotia’s Eastern Shore to Fort Louisbourg on Cape Breton Island. He does the trip on a rickety bike towing a trailer—he calls it The Rig—carrying his camping supplies, many cans of Hungry Man Stew, a copy of Don Quixote, and his surfboard, Old Yeller. 

And it is an adventure. An adventure during which he rides up way too many hills, meets an awful lot of the type of people who make Nova Scotia what it is, camps in some out-of-the-way and perpetually damp places, has many encounters with the Fog Monster, and does it with the kind of humour that leaves me imagining him standing by a campfire on a beach, in his trunks and hoodie (the uniform of the Nova Scotia surfer), sucking back a beer while telling stories and laughing. 

Back at Camp Sog, I perked up with a fresh coffee and another can of beans. The sandpiper who attacked me earlier had gathered his crew and they were going ballistic in a stand of sea grass across from the tent. They paced on stilted legs, hitting me with sharp and insistent peeps. I must have camped near their nest. The Nova Scotia Bird Society would hate me. 

“Sorry, guys,” I said. “Really, I am. I’m not here to bother you. I’ll be gone in a bit.”

More aggressive peeps — they sensed my submissiveness.

Or how about this for a picturesque description:

By the time I reached St. Peter’s, a bustling town on a bay with the same name, I was in code red bathroom mode. I scanned the storefronts for eating establishments and nearly crashed when I spotted the word CAFÉ painted on glass. Through gritted teeth and clenched muscles, I unceremoniously tipped The Rig against a brick wall and dashed for the door. It took every last ounce of strength to politely request a table — it was a sit-down, lacy tablecloth kind of café — and not sprint for the bathroom. I just made it. When I emerged into the rosy light of the warm dining room, the world had taken back its beauty.

This is a really fun book—yet another one I probably wouldn’t have picked up but for this project I’ve taken on, but I’m so glad I did. It’s quite likely I never will learn to surf—or maybe I will. Who knows? I might make it out to the West Coast of Vancouver Island for a women-only surfing school. But even if I don’t, it was fun remembering my days of dancing to the Beach Boys in my room—lights off, door open—and pretending I was Gidget. 

Here’s another travelogue:

How to Clean a Fish: And Other Adventures in Portugal, by Esmeralda Cabral.

Here’s a book about making the world come to you:

The Heart of Homestay: Creating Meaningful Connections When Hosting International Students, by Jennifer Robin Wilson.

And here’s a completely different way to look at the world:

The Worst Songs in the World: The Terrible Truth about National Anthems, by David Pate.

Chasing Smoke: A Memoir of Firefighting in British Columbia’s Interior

/ Lynne Melcombe / 3 Comments

Long ago, in a previous life, I worked in archaeology. One summer in Hat Creek Valley, 26 kilometres beyond Cache Creek, BC, our 26-person crew was dawdling over breakfast when local ranchers drove by to notify us that a few small fires had broken out at the north end of the valley. Would we help put them out?

Book cover of 'Chasing Smoke: A Wildfire Memoir' by Aaron Williams, featuring a forest scene with smoke and an orange sky.

We put down our breakfast dishes, piled into our trucks, and sped off (like the heroes we thought we were) to spend the morning digging small fireguards and throwing dirt on flames that kept cropping up here and there. It was hot, hard work for a bunch of university students who spent most of our time sitting on stools in one-metre-square holes in the ground excavating millimetres at a time with trowels and paint brushes. 

I was thinking about that as I was reading Aaron Williams’s Chasing Smoke: A Wildfire Memoir (Harbour Publishing, 2017), which tells of his firefighting experience during the summer of 2014 (he’d been firefighting since 2006). Of course, there’s no comparing my miniscule experience with his, yet I can’t help thinking that the memory of how easily a single spark can jump 20 metres, or a small flame can travel underground along a tree root and pop up 10 metres away gives me a tiny bit of perspective on what real forest-firefighters are up against. 

Chasing Smoke provides insight into how firefighting works, why forest fires have been getting worse with climate change, and what the whole experience of firefighting is like, from a brutal training camp in May to sheer exhaustion in August. The author’s descriptions of fire are intensely visual:

A thunderstorm approaches. Little pockets of fire, previously resting in the moss, are brought to life by the strong winds preceding the downpour. The flames look tenacious under the dark clouds. I stand and watch a pocket of heat thrash around as it starts spitting rain. The flames, billowing and wide on the forest floor, find a spruce tree. One more kill before they lose the battle to the rain. 

The fire grabs on to the spruce and its lower limbs being to sizzle. Flames climb the tree and when they reach the top they balloon out, feasting on the fat clump of recent growth crowding the tree’s peak. The fire burns slow up there and the rest of the tree cools down and fades to a less intense orange. But the top still burns bright, the colour of a street light against the storm.

Many moments in this memoir are reminders that this work is decidedly dangerous:

Trees start coming down like I’ve never seen before. They’re limbless save for their very tops, where wind catches the foliage and pushes the tree over. … 

At first I’m calm as the trees fall. But suddenly a mess of wood, bent horizontal and cribbed into the trees above us, comes down in a rush of a hundred machine-gun snaps. Trees caught in the nest flail around before hitting the ground. Our eyes dart everywhere, trying to keep track of every moment. Trees break free and swing themselves like catapults. Splintered chunks of wood slash through the air like propellers. Tabes and I look in opposite directions, standing guard for each other. We don’t dare move, as that would take our complete focus from the storm of debris. 

As soon as it’s over I turn to Tabes. “Fuck this, let’s get out of here.” 

For all its intensity, though, Chasing Smoke is also an entertaining read. Williams has a sardonic sense of humour and laughs at himself and his crew at least once every few pages:

Dan holds the after-work meeting while we grill the steaks. The crew is paying more attention to us than to Dan’s end-of-day spiel. The pressure of getting the meat right is immense. Is it too rare? Or the ultimate shame—is it too cooked? It turns out fine, and Tabe and I share a moment when it’s all done. A stern nod to each other acknowledges that our integrity as men has never been stronger.

This was one of the first books I read when I decided to pursue this project of working my way through and reviewing all the books published by alumni of University of King’s College’s MFA program in Creative Nonfiction Writing. And it’s a great example of why I keep coming back for more. 

Books on different types of disasters:

On Borrowed Time: North America’s Next Big Quake, by Gregor Craigie.

Overrun: Dispatches from the Asian Carp Crisis, by Andrew Reeves.

Fifteen Thousand Pieces: A Medical Examiner’s Journey Through Disaster, by Gina Leola Woolsey.

University of King’s College MFA Program in Creative Nonfiction: Books Published So Far

/ Lynne Melcombe / 3 Comments

If you’re already on this list, congratulations! You’re in terrific company. If you’re not on this list, keep putting yourself (and more importantly your book) out there. Meanwhile, in case you’re curious, here’s what (I think) the list is so far. If I’ve missed anything, gotten any details wrong, or in some cases don’t know the year you graduated, please let me know.

Book cover of 'The Heart of a Superfan' by Nav Bhatia, featuring a smiling man in a Raptors jersey and a black and red jacket, with a white turban, against a purple background.
Book cover for 'Run, Hide, Repeat: A Memoir of a Fugitive Childhood' by Pauline Dakin featuring a vintage roadside scene.

Cover of the book 'Murder on the Inside: The True Story of the Deadly Riot at Kingston Penitentiary' by Catherine Fogarty, featuring an image of the penitentiary.

the Eiffel Tower with the book title overlaying it

cover of book No Place to Go with image of empty toilet paper roll.

Book cover of 'Heartbroken: Field Notes on a Constant Condition' by Laura Pratt, featuring a stylized image of a rose with a smoky effect and the word 'Canadian' in the top right corner.

Book cover for 'How to Share an Egg' by Bonny Reichert, featuring an illustration of an egg on a blue background with the title and author's name displayed.

Book cover of 'Still, I Cannot Save You' by Kelly S. Thompson, featuring a person in red walking on a sandy shore with a vast landscape in the background.

Coming of Age as a Millennial: Completely Different and Not Different At All

/ Lynne Melcombe / 5 Comments

I lost my virginity when I was 14. It was the early seventies, a decade one must have lived through to understand, and it was practically a competition between my friends and I. I was one of the first and all of it just happened, the way things do when you’re 14 and in a very big hurry to become cool after a childhood of being thought just the opposite.

But then when I was 15, my best friend had a baby. When I was 16, my dad died suddenly. When I was 17, I got very sick and almost died, just as my mother and I were moving to the other side of the country to be closer to extended family but far, far away from any of my friends or anything familiar. My adolescence started out as the typical baby-boomer experience you’d see on That Seventies Show, but it didn’t end up that way. After the wild summer when I was 14, I grew up very fast. 

My experience was the polar opposite of what Nellwyn Lampert (class of 2017) describes in her memoir, Every Boy I Ever Kissed (Dundurn, 2019). A member of the millennial generation, Lampert talks about her coming-of-age experiences, including what can only be described as a long and frustrating battle to lose her virginity to someone—anyone, really—with wit, humour, and really good writing. Here’s a sample: 

The first time I got really drunk was at my mother’s fiftieth birthday party the summer before I started university.

It was the perfect, small-town summer day. The trees were dappled by the sun, the grass was freshly cut, and the lake was a calm, deep blue. Those are the country days I dream about and novelists spend hours trying to describe. The soft smoke from the barbecue; the deep Muskoka chairs; the condensation from a cold bottle of beer dripping from the corners of your mouth; the tall, blue-eyed country boy lounging in your back yard. 

Tyler was an old childhood friend. He was always hanging around our house, sleeping over, and showing up for dinner unannounced. My family always greeted him with loud hellos, hugs, and a big plate of whatever was on the stove. 

I thought he was lovely.

He was the kind of guy who could make you feel at home simply by smiling at you. Loved. Included. Special. None of it was forced. His smiles, his laughter, they were always the realest thing in the room.

The sun was setting and casting its soft glow over the day when my older brother brought out a bottle of vodka. He and his friends stood around the kitchen counter lining up shot glasses in a row. The real adults were all outside not paying attention, but they wouldn’t have cared even if they knew. 

My brother counted the shot glasses on the counter. “Nell, you want one?”

“Sure.”

The word came out of my mouth even before I’d had a chance to think. I’d drunk a little bit of vodka before, mixed with juice, so I honestly didn’t think anything would happen after just one shot.

Turns out I was wrong. And turns out he’d poured me a double. 

My brother handed me a glass of orange juice. 

“You’ll want this after,” he said. 

I raised my shot glass to the ceiling and clutched the juice in my left hand.

I slammed the vodka down like a pro and downed the juice like a good girl. Almost instantly I stumbled back into the fridge. 

“You okay?” my brother asked with a smile. 

I stood up a little straighter.

“Never better.”

I felt taller. My breasts felt bigger. Without looking in the mirror, I could just feel that my hair and makeup were flawless. I licked my lips and looked up at Tyler through heavy eyelids. I wanted to throw my arms around his neck and press my lips against his.

But he was on the phone. Talking to his new girlfriend, my brother told me.

Ouch! 

And if you want to find out if she ever gets the boy, you’re going to have to read the book. 

I enjoyed this memoir thoroughly. There are just enough scenes in here that seem familiar, despite the fact that I grew up two generations earlier than Lampert, but also enough scenes that are thoroughly new to me to provide insight into my adult children’s generation. 

An excellent read, flowing enough to devour in a weekend. I highly recommend it. 

Diverse topics, discussed from a woman’s perspective:

Halal Sex: The Intimate Lives of Muslim Women in North America, by Sheima Benembarek.

F Bomb: Dispatches from the War on Feminism, by Lauren McKeon.

Conspiracy of Hope: The Truth About Breast Cancer Screening, by Reneé Pellerin.

Heartbroken: Field Notes on a Constant Condition, by Laura Pratt.

I Don’t Do Disability: And Other Lies I’ve Told Myself, by Adelle Purdham.

The Minister’s Wife: A Memoir of Faith, Doubt, Friendship, Loneliness, Forgiveness, and More … , by Karen Stiller.

From Starvation to Abundance: A Memoir of Family and Resilience

/ Lynne Melcombe / 5 Comments

I can’t imagine it. I’ve tried, but it’s beyond my ability. The closest I can come to imagining what it must have been like to survive the Holocaust and, against all odds, marry, have children, and live a happy life is knowing what it was like to be the child of an RCAF pilot who spent three months injured in a POW hospital in occupied France. 

I suppose it’s understandable that people can’t imagine living through such trauma themselves. It protects us. But when you’re the child of people who survived that horror, when the knowledge of what one or both of your parents experienced forms the backdrop for your entire life, lived in comfort and safety in one of the richest countries in the world—that’s a different story.

Marsha Lederman, author of the bestselling Kiss the Red Stairs: The Holocaust, Once Removed (McLelland &Stewart, 2022), which I devoured last year, was one of those children. Bonny Reichert (class of 2022, Master of Fine Arts in Creative Nonfiction, University of King’s College) was another.

For most of her life, Reichert coped with the knowledge of what had happened to her father by not thinking about it. I don’t blame her. She and her father talked about one day writing a book together about it, but for one reason and another that day never came. Until one day, after a trip to her father’s native Poland and an encounter with the perfect bowl of borscht, Reichert realized the time had come. 

The result of that realization is How to Share an Egg: A True Story of Hunger, Love, and Plenty (Appetite by Random House, 2025). A memoir with strong culinary overtones, How to Share an Egg shares with the reader that good food has played an important role in the author’s life, not only because, as the daughter of a successful restaurateur, she grew up with excellent cooking but because her father had very nearly starved to death. 

The preface to the book opens like this:

Imagine two boys—a couple of skeletons, really—roaming the German countryside. One is fourteen, the other, a little older. It’s the spring of 1945, and they haven’t eaten much besides potato peels and coffee grounds for three years. They knock on door after door until they find a farmer who goes into his kitchen and brings something back: a single brown egg. One egg for two starving boys. … 

The book you’re about to read is a tale of hunger and sorrow and love. It’s a mishmash of what happened to my dad and what’s happened to me; a portrait of a parent and a child, a father and a daughter. It’s both a small story and an enormous one, a study of contrasts. And because it’s my family, it’s a story about food—sumptuous meals and meals of almost nothing at all; food that is simple and complicated, basic and bountiful. Food that is rife with meaning.

How does a daughter reconcile her privilege when her father had nothing? How does she set her table, heavy with plenty, when her ancestors were lucky to share a single egg? As much about survival as sustenance, the story you’re about to read is about a family that lost everything and built itself up again, one meal at a time. 

I sometimes worry that recent generations simply don’t know enough about the Holocaust. I worry about the way this lack of knowledge has been fuelling a global resurgence in antisemitism. I’m heartened by the appearance of books by the children of survivors, like Reichert. If there was ever a book to teach about that shameful period in human history while making you go from laughing to crying and back again, this is surely it. 

Books about the Holocaust:

Wanda’s War: An Untold Story of Nazi Europe, Forced Labour, and a Canadian Immigration Scandal, by Marsha Faubert. Review coming soon.

One in Six Million: The Baby by the Roadside and the Man Who Retraced a Holocaust Survivor’s Lost Identity, by Amy Fish. Review coming soon.

Journey To Portugal: A Family’s Culinary Trip Through Their Heritage

/ Lynne Melcombe / 7 Comments

When my two older children were small, I had a dream. We would, as a family, put our belongings in storage, take two years off work and school, and travel the world. As time passed, I reduced it to a year travelling Europe. Then it was a six-month road trip around North America. 

None of that ever happened. We did, after I’d had significant windfalls, have six weeks in Cabo San Lucas when our older kids were four and six, and a month in Costa Rica when our older two were leaving home and our youngest was 12. And since my divorce, I’ve had a month in Ireland and three weeks in Scotland. I love to travel.  

So, when I heard that Esmeralda Cabral’s (class of 2019) book, How to Clean a Fish and Other Adventures in Portugal (U of Alberta Press, 2023) was all about a five-month sabbatical she and her husband took with their family to Portugal, I was intrigued. 

Cabral, a Portuguese Canadian, spent most of her childhood in the Azores, which I can only imagine as idyllic, so the opportunity to return to the land of her birth was too good not to take advantage of. And everything she writes about it makes me jealous. As one can imagine from the title, a lot of the book focuses on food, a delicious and important part of Portuguese culture. Here’s an excerpt from a tale early in the book: 

One of my favourite things to do in Costa was to browse in the market. I often went alone in the morning, while Eric [husband] and Georgia [daughter] did their work at home. I would stop and have a coffee at the counter of one of the coffee shops on the way, and sometimes I’d have a pastel [an egg custard tart] too. I’d go to the bakery to buy a loaf of bread or a few buns [mmm, Portuguese buns], and then head to the market, where I would talk to the vendors and fulfill my need for conversation. …

At a small stand right inside the north entrance, a woman sold mostly verduras, or greens. She didn’t seem to have much to sell on any given day and what she had looked a little wilted, but I usually bought something from her—lettuce, if nothing else. She would smile and greet me as I entered the market, and I found it difficult to get past her without buying anything. I would stop to talk to her, and then the woman from the next stall (who had much better-looking produce) would join in our conversation. From her, I’d buy potatoes, kale, carrots, and whatever else looked good. ….

Farther down in the fruit stall area, there was the man who sold what I deemed to be the sweetest oranges. … The crisp, peppery smell of citrus in this part of the market often permeated my nostrils and filled my head with memories of my childhood in the Azores. … I remember looking forward to Saturday morning walks to the orchard with my father because it felt like I was going to work with him. We’d come home laden with bags of oranges and lemons and sometimes bananas too, and my mother would promptly make fruit salad. …

Past the fruit stalls was a large, partly closed-off area full of tables with fish and seafood displayed on mounds of ice. Women in oil-cloth aprons called out their catch of the day and competed for customers. I didn’t go in there very often because I felt conspicuous in my ignorance … and I was intimidated by these women, all of whom were loud and looked strong and confident. … I wasn’t yet brave enough to buy fish as I had no idea how to clean or cook most of it. … One day I’ll buy fish there, I’d think to myself. 

And of course, one day, she finally did, and the woman in the market cleaned it for her and told her how to cook it. And it turned out just right. 

The whole book is a series of memories, with picturesque descriptions of the scenery and the food and the people, many of them including food images so precise that reading made me hungry, and all of it interlaced with memories of Cabral’s childhood. It’s a gently written book that left me wanting to revisit that long-ago idea of putting my life in storage and heading out to see the world again.

Maybe one day I’ll do that. 

Other books about travel:

Winter in the City of Light: Finding Yourself in Retirement, by Sue Harper.

Walking the Camino: On Earth as It Is, by Maryanna Gabriel.

The Illogical Adventure: A Memoir of Love and Fate, by James MacDuff and Mirriam Mweemba.

Visiting Africa: A Memoir, by Jesse O’Reilly-Conlin.

Here’s a book about making the world come to you:

The Heart of Homestay: Creating Meaningful Connections When Hosting International Students, by Jennifer Robin Wilson.