The Beauty of the Seasons: A Review of The Tides of Time

In university, I took a fourth-year course on the Romantic Period in English literature. I love the prose and poems of that period; Blake is my favourite, where my professor at the time was pretty much obsessed with Coleridge’s “Rhyme of the Ancient Mariner.” 

Book cover of 'The Tides of Time: A Nova Scotia Book of Seasons' by Suzanne Stewart, featuring a pastel background adorned with various leaves and flowers.

Suzanne Stewart (class of 2016) is a professor Romantic literature who teaches at St. Francis Xavier University. Sadly, she now reports that she hasn’t taught literature of that period for several years. I guess there’s not enough demand for it, which baffles me. That hasn’t stopped Stewart from bringing the words and mood of the Romantic writers to life in her book of lyric essays, The Tides of Time: A Nova Scotia Book of Seasons (Pottersfield Press, 2018).

In Tides of Time, Stewart goes through the year, month by month, looking at the labour of the people who produce the food we eat—real food, food from the earth, not from a factory. Starting in September (which is why I’m posting this on the first day of fall), she gets on her bike (or sometimes in her car) and cycles out to interview fishers, farmers, bakers, beekeepers, and cheesemakers, to name a few, around her home community of Antigonish about the work they do and why they love doing it. 

In keeping with the form of the lyric essay, she regularly quotes from writers of the Romantic Period, such as John Keats and William Wordsworth, Dorothy Wordsworth and Henry David Thoreau, and she occasionally throws in something from Aristotle or the Bible. But what’s most impressive about her writing is the vivid word pictures she paints of places and people and feelings. Here’s how she opens the chapter she calls Spring’s Overture:

Dawn comes suddenly now, with a beautiful blush. On March 1, the sky fills with muted amber and soft pink, as if wine had been poured into the air, tinging it with sweet fruitfulness. A burst of darker purple-pink appears like a cherry tree in blossom. Then the sky turns orange as the softest pink dissolves, which lightens to yellow as it spreads, like liquid from a lemon squeezed. 

A few thin grey clouds smudge the light. 

Feeling tired and distracted by the length of winter, I haven’t noticed beauty or looked this hard, for days, but this morning is different. Colour pours and blends and moves with the light. I’d like to slip into its heat. 

Now the colour is gone. Morning evolves. The day becomes dull: the sky plain and covered in clouds. 

In March, light stretches and retreats, still finding its comfort in the whiteness of winter. The days are longer but they haven’t lengthened all the way to spring. March’s fingers are still curled in the cold, unable to unfold, to reach that far.

But March is a month of music, probably more than of light. 

As I lie in bed, waiting for the first cracks of morning, I hear the birds. At this early hour, they sing more fully now. In spring, song precedes the light: invites it.

“The air is a velvet cushion against which I press my ear,” Henry David Thoreau said, as he listened for the sounds of the first robins and bluebirds and insects. 

“May my melody not be wanting to the season,” he added … “I go forth to make new demands on life.”

This month, Stewart will visit a sheep farm. She will go there in lambing season, when the ewes are birthing and then feeding their new babies. 

This is a beautiful book, evocatively, poetically, romantically written. It was also the second-place winner of the 2018 Pottersfield Prize for Creative Nonfiction. 

If you’re ever feeling down and you need something beautiful to lift you up, try this book. 

Other books with a lyrical quality:

Heartbroken: Field Notes on a Constant Condition, by Laura Pratt

I Don’t Do Disability: And Other Lies I’ve Told Myself, by Adelle Purdham

Other books about real food:

How to Clean a Fish: And Other Adventures in Portugal, by Esmeralda Cabral

The Fruitful City: The Enduring Power of the Urban Food Forest, by Helena Moncrieff

How to Share an Egg: A True Story of Hunger, Love, and Plenty, by Bonnie Reichert

Peace by Chocolate: The Hadhad Family’s Remarkable Journey from Syria to Canada, by Jon Tattrie

Surfing in Nova Scotia: ‘Louisbourg or Bust’

When I was a little girl in the 1960s, and it would come to bedtime, I would have my radio playing quietly in my bedroom—lights off, door open. I was supposed to be going to sleep, but most evenings I’d stay up for at least an hour past my bedtime listening to the Beach Boys and dancing in the dark in my baby doll pyjamas, mastering the Jerk and the Monkey and the Twist and the Swim and the Pony. 

Book cover of 'Louisbourg or Bust' by RC Shaw featuring a bicycle with a trailer that includes a surfboard and camping gear, set against a backdrop of green trees.

I was pretty wild when I was eight years old. And of course, I wanted to be a surfer girl, just like Gidget

I still wish I’d learned to surf at some point, but I doubt I will now. I tried windsurfing a couple years ago and I couldn’t get my balance. So much for Gidget. 

But it sure was fun reading RC Shaw’s (class of 2017) Louisburg or Bust: A Surfer’s Wild Ride Down Nova Scotia’s Drowned Coast (Pottersfield Press, 2018) and imagining myself out there on the waves. I didn’t even know you could surf in Nova Scotia. My mental images of surfing are in places like California and Hawaii and Australia, where the waves get big, man. 

But apparently there’s some great surfing in Canada’s Atlantic provinces. Shaw tells us all about it in his memoir/travelogue of a trip he took for no explicable reason from his comfortable home in Cow Bay (where he lives with his wife and two little girls) up the Nova Scotia’s Eastern Shore to Fort Louisbourg on Cape Breton Island. He does the trip on a rickety bike towing a trailer—he calls it The Rig—carrying his camping supplies, many cans of Hungry Man Stew, a copy of Don Quixote, and his surfboard, Old Yeller. 

And it is an adventure. An adventure during which he rides up way too many hills, meets an awful lot of the type of people who make Nova Scotia what it is, camps in some out-of-the-way and perpetually damp places, has many encounters with the Fog Monster, and does it with the kind of humour that leaves me imagining him standing by a campfire on a beach, in his trunks and hoodie (the uniform of the Nova Scotia surfer), sucking back a beer while telling stories and laughing. 

Back at Camp Sog, I perked up with a fresh coffee and another can of beans. The sandpiper who attacked me earlier had gathered his crew and they were going ballistic in a stand of sea grass across from the tent. They paced on stilted legs, hitting me with sharp and insistent peeps. I must have camped near their nest. The Nova Scotia Bird Society would hate me. 

“Sorry, guys,” I said. “Really, I am. I’m not here to bother you. I’ll be gone in a bit.”

More aggressive peeps — they sensed my submissiveness.

Or how about this for a picturesque description:

By the time I reached St. Peter’s, a bustling town on a bay with the same name, I was in code red bathroom mode. I scanned the storefronts for eating establishments and nearly crashed when I spotted the word CAFÉ painted on glass. Through gritted teeth and clenched muscles, I unceremoniously tipped The Rig against a brick wall and dashed for the door. It took every last ounce of strength to politely request a table — it was a sit-down, lacy tablecloth kind of café — and not sprint for the bathroom. I just made it. When I emerged into the rosy light of the warm dining room, the world had taken back its beauty.

This is a really fun book—yet another one I probably wouldn’t have picked up but for this project I’ve taken on, but I’m so glad I did. It’s quite likely I never will learn to surf—or maybe I will. Who knows? I might make it out to the West Coast of Vancouver Island for a women-only surfing school. But even if I don’t, it was fun remembering my days of dancing to the Beach Boys in my room—lights off, door open—and pretending I was Gidget. 

Here’s another travelogue:

How to Clean a Fish: And Other Adventures in Portugal, by Esmeralda Cabral.

Here’s a book about making the world come to you:

The Heart of Homestay: Creating Meaningful Connections When Hosting International Students, by Jennifer Robin Wilson.

And here’s a completely different way to look at the world:

The Worst Songs in the World: The Terrible Truth about National Anthems, by David Pate.