As a little girl, I had a pink and turquoise satin kimono. I can’t remember why I had it or where it came from; it likely had something to do with the dance classes I took for several years, and it was likely a gross misrepresentation of what it was meant to be. But until I was much older, it was all I knew of Japanese culture. 

I was likely not alone in that. Yet the Japanese Canadian community has a rich history in Canada, a history that includes far more than the tragic and shameful chapter in Canadian history of the internment of all Japanese Canadian citizens during World War II and the confiscation of their property, for which they only received redress in 1988. 

In The Nail That Sticks Out: Reflections on the Postwar Japanese Canadian Community (Dundurn Press, 2024), Suzanne Elki Yoko Hartmann (class of 2021) combines family history and details of traditional Japanese culture with personal memoir. The result is a compelling account of a community that has endured through racism and hardship but must, Hartmann argues, be defined as far more than that.

There is a touching account of her grandfather, who painted beautiful watercolours but never considered his art good enough for more than scraps of newsprint and saved none of his paintings. There is the story of the cousin who, fearing academic disappointment, gave up all her dance classes—except traditional odori dance because she’d seen it give her grandmother so much joy. 

There are also the notes of persistent and systemic racism: the lack of Asian representation in theatre and film paired with underpayment of Asian actors when they do appear. The thoughtless souls who pop up everywhere with the ridiculous question every biracial person hears far too often: “What are you?” (To which Hartmann flippantly replies, “I’m still human, the last time I checked.”)

But even that history is slowly being erased, Hartmann writes:

From Camille’s [her daughter’s] perspective, most Torontonians “don’t know JCs exist, let alone the historical context” of the relocation after the war and how JCs became resettled … “Our trauma is only amplified. Only internment is ever talked about … “

In many ways this reality is reflected in the larger community. Despite Japanese planting roots in Canada more than a hundred years ago, JC history is slowly being erased. Each generation adds their own perspective on identity and culture. Camille’s generation—the gosei, or fifth generation—are almost entirely biracial. To the untrained eye, kids like Camille or their cousin Samantha easily pass for white. Just as my sister and I loosely resemble our parents, there are glimpses of us within our kids too. Our ethnicity may appear ambiguous, yet we share a rich cultural inheritance. 

Canada’s only Japantown in Vancouver is long gone. But here, in places like Markham’s J-Town and the downtown Toronto strip called Little Tokyo a string of savvy entrepreneurs have stepped in to serve up Japanese-infused shopping experiences Do consumers ever ponder the roots of our community as they stand in line with their matcha lattes and mochi ice cream, hoping to get their pork belly ramen or stamped cheesecake before they sell out? Unlike these stores, which offer the latest trends and tastes of modern-day Japan, other long-established cultural and religious institutions scattered throughout the Greater Toronto Area reflect the perseverance of JCs who were determined to rebuild their lives after the war.

Will anyone remember their struggles or history decades from now? With so few Japanese in Canada, will anyone care? When searching for information, I discovered a dark void, a dearth of evidence, and little mention of our Japanese congregation or the people who dedicated their lives to it. A lost legacy in a disappearing community. 

I sincerely hope not.